https://www.adiveera.com/podcast daily 0.75 2024-10-10 https://www.adiveera.com/podcast/dhruvghanekar monthly 0.5 2024-10-10 https://images.squarespace-cdn.com/content/v1/6284029e49f1dd700faf8856/bc82b1ab-3420-4459-8838-5771b0d7c1a6/dhruv+Ghanekar.jpg Podcast - Dhruv Ghanekar: On the road again - Dhruv Ghanekar's approach to creating Voyage 2 combines bursts of spontaneous inspiration with disciplined deadlines. Balancing his commercial media compositions with personal projects, he found setting deadlines crucial to completing the album. Despite the logistical hurdles of coordinating with multiple artists post-COVID, Ghanekar’s collaboration resulted in a vibrant project. Some tracks were omitted, not due to lack of quality, but because they did not align with the album’s intended celebratory and groove-centric theme. Dhruv emphasizes the importance of momentum and sequencing in crafting an album, driven by both personal preference and broader appeal. He aimed for a fun, accessible sound suitable for festival audiences, prioritizing groove over complexity. An unexpected yet powerful outcome of the project was featuring only female vocalists—a decision influenced by his personal life, including the strong female figures around him. This unintentional celebration of women’s voices added a meaningful dimension to the album, blending Indian folk elements with a global collaborative flair, making the work both musically rich and socially relevant. He reflects on his creative process, noting that music often evolves organically rather than through intentional decisions. The inclusion of prominent vocalists like Kalpana Patowary, Nandini, Srikar, and Ila Arun, each bringing unique voices, naturally shaped the album into a celebration of women and grooves. He blends Indian traditions with international influences, creating a dynamic global sound. His music’s complexity is driven by a desire to remain engaging for himself, influenced by a mix of jazz, fusion, and Indian classical music. His compositions serve as a counterbalance to his commercial projects, honoring musical heroes while exploring intricate ideas. Ghanekar often crafts multiple arrangements for each song, driven by intuition and validation from collaborators. An example is his reimagining of the traditional Suprabhatam with a drum-and-bass beat, seeking approval from percussionist Sivamani before finalizing it. Dhruv stresses the importance of embracing new musical directions and trusting the process, emphasizing that if something doesn’t feel right early on, it’s worth reconsidering. While he values audience recognition, his primary focus is creating music that resonates with him. He describes his latest album as "global music," blending Indian and Western influences beyond conventional labels like fusion. The production of the album is more complex and adventurous than his previous works, incorporating textures and techniques with a subtle electronic edge. Influences from jazz, Cuban, and Balkan music are evident, with contributions from musicians like saxophonist Archer and a trumpet player from Boston. The album was designed as a groove-oriented experience for both musicians and audiences, enhanced by Dolby Atmos technology for an immersive listening experience. Ghanekar notes the importance of restraint with Dolby Atmos, recognizing that not all music benefits from such technology. His experience mixing in Atmos has been enlightening, with the album now vying for Grammy recognition in several categories, including Immersive Sound. Though some might view his work as non-mainstream, Ghanekar aims for it to resonate with a broad audience without elitism. His music, deeply rooted in Indian influences and global sounds, offers intricate details for listeners seeking depth. Ghanekar’s ongoing projects include a cinematic ambient collaboration with flautist Naveen and a singer-songwriter album, showcasing his diverse artistry. As for his legacy, Dhruv prefers not to take himself too seriously. He hopes that, in the distant future, people will listen to his music and think, Wow, this is intriguing and unique. For him, that kind of response is the ultimate reward. Apple Podcasts/Spotify/ iHeart Radio & other major streaming platforms → Youtube → https://www.adiveera.com/podcast/kavithajayaraman monthly 0.5 2024-10-10 https://images.squarespace-cdn.com/content/v1/6284029e49f1dd700faf8856/e66f534b-4422-4e2a-89e2-c3ec5226c9a0/Kavitha+Jayaraman+Poster.jpeg Podcast - Kavitha Jayaraman: The Art of Enduring Traditions in Carnatic Music - I had the incredible honour of interviewing Kavitha Jayaraman, a true polymath, on Stalwarts Of Music with Aditya Veera. Apart from being an award-winning vocalist and Vainika, she plays multiple roles in her life—that of an analyst, performer, teacher, and curator. She is a prominent figure on both the U.S. and Indian stages, actively contributing to the realms of the arts and philanthropy. Kavitha holds a degree in accounting and financial management from Mumbai University. She is currently pursuing a Master’s degree in music business from the prestigious Berklee College of Music. She is a distinguished member of the Recording Academy—a rare accomplishment for an Indian. She was selected as an Indian Raga USA fellow in 2018 and has participated in 15 online collaborations with global artists, gathering over 1 million views on YouTube and Facebook. The interview I had with Kavitha Jayaraman was highly informative and thought-provoking. We explored various aspects, including the obstacles encountered by Carnatic musicians, gender prejudices, the sustainability of the economy within the industry, and the significance of backing from the audience. Venturing into social media How did you overcome any initial hesitation or shyness about promoting yourself on social media platforms? Kavitha discusses her reservations about self-promotion, explaining how Carnatic music trains performers to focus on solid foundations and the art itself rather than self-projection. This forced her to overcome her shyness when it came to sharing about her musical journey and initiatives on social media. She stresses how crucial it is to be visible in today’s world, especially when there is competition from numerous artists. History and influences of Carnatic music Could you share more about Carnatic music, its traditions, and the unique characteristics that define it? Kavitha explains that there are two predominant classical music forms in India: Hindustani in the north and Carnatic in the south. Both of them have deep roots dating back thousands of years. Carnatic music originated and thrived in the south, maintaining its distinct characteristics. Unlike the north, where Arabian influences played a significant role, the south has retained its unique musical identity. Historically, the south saw fewer invaders, leading to limited external influences on Carnatic music. Why did Carnatic music fail to reach audiences across India? Kavitha believes that there was no medium to reach audiences across India at that time. Before the advent of radio, people discovered music through local live performances. Over the last 30–40 years, artists have begun to travel across the country to showcase their music and thus reach a wider audience. Contemporary Carnatic musicians In the context of evolution, how have contemporary musicians in the Carnatic tradition adapted without compromising its core principles? Kavitha responds that over the years, artists like Ranjani-Gayatri and Sudha Ragunathan have played a crucial role in popularising Carnatic music, breaking barriers, and reaching diverse audiences. Contemporary Carnatic musicians have made significant strides in adapting to modern trends while preserving the essence of the art. She recalls that in the '90s, artists like Colonial Cousins and Shubha Mudgal contributed to this transformation. The shift from live performances to recorded music played a pivotal role in making Carnatic music more accessible. She also emphasised revisiting Shankar Mahadevan's album Breathless and observing its skillful integration of classical elements within a narrative framework. Inclusivity in the world of Carnatic music What initiatives have you undertaken to promote inclusivity in Carnatic music, considering the historical challenges in terms of accessibility for many right across the world? Kavitha outlines her contributions in two ways. Firstly, she endeavours to showcase Carnatic music authentically on diverse platforms that may not traditionally feature this art form. Secondly, she works towards making music accessible to those who have been traditionally excluded. Elaborating on the first point, she states that she began her musical journey at a very young age. She recalls being mesmerised by Smt. Jayashree Aravind playing the Saraswati Veena at a concert, and she approached her to be accepted as a student. It wasn't until she relocated abroad that she recognised the underappreciation of the Veena. Highlighting the prevalent trend at Indian classical music festivals, she notes that about 90% of the performers were vocalists, while the remaining instrumentalists were predominantly violinists, with only a few Vainikas. Grateful for her ten years in Singapore, she immersed herself in the city-state's vibrant music scene. Studying at the Singapore Indian Fine Arts, a residential music school with over 1500 students learning various art forms, she found a more appreciative audience for the Veena. This enriching experience played a pivotal role in her development as an instrumentalist. Upon moving to the US, she was taken aback by the limited awareness of the Veena, often confused with the sitar, a consequence she attributes to the popularity of Pt. Ravi Shankar. In response, she undertook a mission to popularise the Veena in the region. This involved performing at venues where the instrument hadn't been showcased previously and offering Veena lessons to anyone interested. In the traditional context, the Veena was considered divine and reserved for instruction among the upper class. Divinity of the art form What significance does God hold for someone like you? Does it manifest in a specific shape or form? Kavitha identifies as an atheist and believes that she is more cultural than religious. She regards music as a medium to connect to a higher power, explaining that singing a Kriti makes her feel more profound than meditation. Challenges faced in the Carnatic Music Industry I assume there are hurdles faced by artists in the Carnatic music industry, particularly women. How are these challenges being addressed, and have you personally encountered any? Kavitha acknowledges that she has heard of a few instances of discrimination against female Veena players but believes she is lucky to not have encountered any discrimination herself. She explains that the reason for fewer such instances could be because most Vainikas are women. Different forms of Veena Could you help us understand the different kinds of Veena and how they are used? She explains that the Saraswathi Veena, prevalent in South India, differs in the kind of wood used in its construction. Jackfruit wood, being hollow, is the most preferred due to its exceptional tonal qualities, contributing to the Veena's resonance. Rosewood is another popular wood used for crafting the Veena, especially in regions like Bangalore and Mysore. According to her, artists playing the rosewood Veena often adapt their finger-style technique to complement its flatter and sharper tonal characteristics. Delving into another variant, she introduces the Rudra Veena, more prevalent in North India. She notes the scarcity of Rudra Veena players today, owing to its complexity. She recommends exploring the Dagar family's musical legacy, as they have upheld the tradition of Rudra Veena playing. Despite its intricate nature, she posits that Rudra Veena's slow and meditative musical style has hindered its widespread popularity. Guitars also have similar kinds of wood used for manufacturing. I imported a guitar from the States, which has a mix of mahogany, oak, and processed wood. But how does your Veena fare in those weather conditions? Kavitha highlights the challenges she faced in maintaining her Veena outside of India, detailing the adverse effects of the hot and humid climate in Singapore on the fret of the instrument, composed of beeswax and coal. Upon relocating to Florida, she encountered a different set of obstacles. The scarcity of technicians capable of servicing the Veena posed a significant challenge, especially in the summertime, making outdoor performances more difficult. Addressing a broader concern, she expresses her apprehension about the diminishing art of crafting and servicing Veenas. Being one of the few entirely handmade instruments, she advocates for a concerted effort to explore manufacturing methods that preserve the quality and tonality inherent in handmade Veenas, as the traditional art form faces a decline. Economic challenges faced by Carnatic musicians How can Carnatic musicians ensure economic sustainability, and what role does the audience play in terms of supporting this? Kavitha emphasises the scarcity of practitioners in the Carnatic music genre, particularly in the global music landscape. To foster community growth, we need to create new opportunities. She advocates for the inclusion of Carnatic music on the agendas of musical festivals by festival curators. She notes how venues like NMACC and Mumbai have started hosting a lot of Carnatic musicians, and she believes others should follow suit. She proposes giving opportunities to local artists, as many Carnatic musicians perform with bands, resulting in higher costs for organizers. Instead, she says, they should give local artists the opportunity to perform. Kavitha laments that several talented Carnatic artists, not receiving their deserved recognition, often turn to teaching for a stable income. While this allows them to pass on their knowledge and uphold the musical legacy, it often requires sacrificing their performance careers. Acquiring and retaining your audience Music festival curators in India face challenges in preserving musical traditions, creating opportunities based on merit, and popularising classical genres. Many articles express concerns that curators are losing touch with the essence of these traditions. Could you share your insights on this? With her mother being a curator, Kavitha understands the delicate balance required in the role. She emphasises the importance of serving the community, introducing new talent, and ensuring the next generation receives quality education. She emphasises how talent alone is not sufficient to build an audience and a successful career. She shares her experience of pursuing a Master’s at Berklee, where the focus extended beyond mere talent to encompass career management. How do you handle the repetition of pieces in concerts? Is there a risk of losing engagement with the audience? Kavitha dismisses any challenges to maintaining freshness in her music, attributing it to the extensive repertoire of Carnatic music. She explains that while artists may desire to introduce new compositions, the audience's preference for popular pieces often limits their ability to do so. How attuned are you to audience responses during performances? Do you adjust your performance based on the crowd's reactions? In her perspective, Kavitha underscores the significance of the audience's response, particularly in more intimate settings. She highlights how this interaction enables her to customise her performances accordingly. Music as a medium to influence and help society You recently became a 2023 voting member at the Recording Academy, and you've received various national and international awards. How important are these honours and recognitions to you? Kavitha expresses the significance of appreciation and recognition in her journey. She mentions that the applause and feedback from her audience play a crucial role in motivating her. As a Grammy voting member, her goal is to inspire more Carnatic musicians to submit their work, with the hope of establishing dedicated categories for Indian musicians at the Grammys. She also encourages musicians to reach out to her if they're interested in submitting their original work to the Grammys, as she sees substantial potential for representation and recognition for this art form. Kavitha, you're the driving force behind Kaladanam, an institution where the guiding principle is "Seva through Vidhya," or “Teach to Reach." I've read about your impressive efforts in raising funds for various social agencies, particularly impacting the lives of special kids. The press release mentions you've raised close to 65,000 USD to date. Can you shed some light on your approach to achieving this and any specific strategies you've employed to reach these considerable numbers? In 2017, Kavitha initiated Kaladanam while still working full-time in the corporate sector. Originally started to fulfil her desire to introduce her daughter to Carnatic music, Kaladanam gained rapid popularity among children in South Florida. Kavitha was inspired by her teachers to pursue teaching, as they believed that teaching deepens one's understanding of the art form. She also wanted to make a meaningful impact through teaching and decided to provide free classes and encourage students to contribute to NGOs instead. This resonated with her philanthropic inclination. Kavitha created crowdfunding campaigns, collaborating with NGOs capable of accepting foreign currency donations. Through these efforts, she has supported approximately 15 NGOs over the past five years. Blending Carnatic music with other genres Among your many endeavours, your recent venture into fusion music caught my attention. I stumbled upon some fusion jam collaborations on YouTube, witnessing a purist like you exploring genres like blues on the Veena. What prompted this exploration into fusion music, and how do you see it impacting your audience? According to Kavitha, training in classical art forms, be they Indian or Western, provides a solid foundation for the grammar of music. This foundation enables a smooth blending of genres. She played blues on the Veena with the intention of attracting more listeners to this traditional instrument. The importance of formal education in music You're currently pursuing a master's programme in music business at Berklee College of Music. It's somewhat unconventional for a practicing educator and musician to delve into the academic study of music business. What motivated you to take this academic path, and how do you envision leveraging this knowledge in your career? In 2019, Kavitha recognised a void in her life after leaving her corporate job. She enrolled in the Indian Raga Fellowship in 2018, where she learned to analyse trends and understand algorithms. She realised the importance of navigating the digital landscape for music presentation and decided to deepen her knowledge of the industry. Her analytical background, coupled with a desire to delve deeper into the industry, pushed her to pursue a degree in music business at Berklee. Apart from offering her personal growth, it also opened up diverse opportunities for her, from managing artists to potentially establishing a new label. Looking ahead It's evident that you're driven by a continuous quest for learning and growth, Kavitha. Looking ahead, with your multifaceted career and the evolving music landscape, what ambitions and aspirations do you have for yourself in the coming years? Kavitha modestly expresses that her musical journey has only just begun. She aspires to create a global platform for Carnatic musicians, making the art form more accessible and appreciated. In an era dominated by short-format content and fleeting attention spans, classical music faces challenges. She aims to counteract this trend and ensure the longevity and appreciation of classical music. She is enthusiastic about the boundless opportunities that the future holds, and she eagerly anticipates exploring and contributing to the ever-evolving realm of music. The interview concludes with a quick Rapid Fire segment. Kavitha reveals that Chinmayi's debut song from the Tamil movie Kannathail Muthamittal always brings tears to her eyes and confesses Lady Gaga's songs, especially You and I, as her guilty pleasure. On being asked to assemble an all-star Carnatic ensemble, Kavitha names icons like MS Subbulakshmi and Mandolin U. Srinivas. We discuss essential traits for aspiring Carnatic musicians, including discipline, rigorous training, patience, and commitment. In conclusion, Kavitha expresses her desire to be remembered as someone who made a meaningful contribution to the field of music. Overall, the interview captures Kavitha's dedication to her art, her continuous quest for learning, and her aspirations to create a global platform for Carnatic musicians while countering challenges in the classical music landscape. Apple Podcasts/Spotify/ Amazon Music/Google Podcasts & other major streaming platforms → Youtube → https://www.adiveera.com/podcast/koiai monthly 0.5 2024-01-24 https://images.squarespace-cdn.com/content/v1/6284029e49f1dd700faf8856/c497f3c2-299b-42b4-81e2-9d1dc08dde05/mail.jpeg Podcast - KOIAI + Li-sa-X: Exploring Vibrant Musical Palettes - KOIAI is a Japanese rock band, comprising Hazuki (NEMOPHILA-global), Kotono (ex-IRONBUNNY), and Li-sa-X. Formerly recognized as the Li-sa-X band, it emerged in 2022. Li-sa-X and Kotono were featured on Stalwarts Of Music with Aditya Veera ahead of their performance at the February 2023 Oddball Festival. Aditya opens the podcast warmly, discussing Lisa’s birthday celebration. This marks the band’s inaugural visit to India, sparking their enthusiasm for the upcoming Oddball Festival. Subsequently, the discussion plunges into KOIAI’s genesis, the band's musical endeavors, and the diverse talents and lives of its members. What's the significance of KOIAI? KOIAI blends the band members' names and signifies color or love in Japanese. How was the band received during its early musical journey? Kotono was thrilled to combine rock with dance, a passion stemming from her kindergarten days. With two guitarists and Kotono's dance prowess, the band delivered danceable, joyful rock, earning a warm reception. Li-sa-X collaborated with artists like Paul Gilbert and Polyphia. Does she feel pressure to meet others' expectations, and how much is her success attributed to personal maturity versus mentorship? Lisa follows her desires but admits that she receives substantial external support. KOIAI’s music fits into progressive pop, characterized by danceable rock. Any insights on the upcoming EP? Their EP, comprising five songs, mirrors tracks like "Take It or Leave It" on YouTube, representing their pop music style. Will the new EP be in Japanese, English, or a mix? It will be multilingual. Considering the diverse talents within KOIAI, how do you ensure each member shines artistically? Harmonizing the two guitarists ensures each gets their spotlight. Danceable music further highlights Kotono's performance. Lisa garners global acclaim from musicians like Paul Gilbert and Marty Friedman. What applause matters to her, and how would she rate her own success? She values precision and aims for accuracy. Embracing fusion and freestyle music is her current focus. Is Lisa striving for perfectionism? Initially inclined towards speed and emotion like a classical musician, she now seeks expressive freedom. Any plans for a family band, considering Lisa’s father and brother are musicians? There are no immediate plans. Lisa released the solo album WILL in 2018, but subsequent releases have been scarce. Any updates on her solo projects? Her attention has been on the band, but she's currently working on solo endeavors. How did Lisa develop her cross-guitar picking approach, a curiosity among Indian audiences? She learned the technique from Paul Gilbert, starting slow and gradually building speed. Lisa admires Mr. Big and has learned lessons from Paul Gilbert. How important is mentorship for young musicians? Lisa follows YouTube tutorials and values Gilbert’s teachings on expression and rhythm over shredding. Aditya acknowledges Lisa's emotional approach to music, praising Paul Gilbert's guidance. What is Kotono’s creative process as a singer? She practices to balance her voice with instrumentals. What is the band's performance ritual? While their India show was their debut, they ensured eye contact and harmony during practice sessions. Is KOIAI aiming for longevity as a band? Their singular goal is to win a Grammy. The conversation transitioned casually, discussing personal preferences, favorite songs, food choices, and musical influences. The interview concluded with aspirations for a close-knit, joyful unit, blending music talks and personal anecdotes, revealing personalities beyond musical talents. Apple Podcasts/Spotify/ Amazon Music/Google Podcasts & other major streaming platforms → Youtube → https://www.adiveera.com/podcast/kraken monthly 0.5 2024-01-07 https://images.squarespace-cdn.com/content/v1/6284029e49f1dd700faf8856/659da2b0-6c16-4cc7-99c2-b25c981a9168/kraken.jpg Podcast - Conversational Brilliance with the Oddballers ft. Kraken - In this episode of Stalwarts Of Music with Aditya Veera—Season 2, presented in collaboration with the Oddball Festival, Aditya introduces the extraordinary guests Moses and Suyash from the band Kraken. The band, consisting of Vipul Verma (vocals), Moses Koul (guitar), Reuben Das (keys), Divij Kapoor (bass), and Suyash Gabriel (drums), is renowned for its musical journey, spanning from the debut EP Lush to their latest album, Club Namaste. The interview kicks off with Moses sharing his excitement about their performance at the Oddball Festival. Aditya delves into Kraken's essence, probing their fundamental concepts and passions. Suyash emphasizes the band's evolution across different phases, focusing on originality, aesthetics, visuals, and stage presence. Moses adds that Kraken nurtures creativity, urging each member to infuse their distinct perspectives into their music. Their focal point lies in the joy of creation rather than adhering to fleeting trends. Aditya praises Kraken's diverse album, Club Namaste, which seamlessly blends multiple genres—a rarity in India. He raises an intriguing query about how fusion music sometimes risks becoming outdated or driven solely by novelty. Moses tackles this question, stressing the importance of allowing ideas to naturally evolve. He highlights their track Item Song as an example—an organic fusion of Punjabi elements that resulted in a joyful and unique sound. Moses underscores their commitment to authenticity and how fusion concepts organically evolve during their creative process. Aditya delves deeper, asking if Kraken's primary musical goal is to bring happiness to their audience. Moses clarifies that while they aim to make people dance and create groovy music, they also strive to evoke a spectrum of emotions. Suyash emphasizes their willingness to incorporate what feels natural to them, even if it challenges current trends. Their central focus remains on enjoying their music and pursuing what resonates with them creatively, prioritizing their vision over external expectations. Shifting gears, Aditya explores Kraken's choices in music gear and their approach to live performances. Suyash highlights the importance of selecting the right drum soundscape tailored to the musical context. They refrain from imposing specific gear choices, opting for what best complements their music. Moses, as the producer, emphasizes their flexible approach, utilizing a range of equipment—be it digital or analog—to suit the music's unique requirements. Their gear choices are guided by personal comfort and the desired sound or vibe. The conversation then navigates Kraken's approach to live performances, balancing spontaneity and structure. Moses explains how their shows draw from their energy, audience response, and their aim to craft memorable experiences. While their songs have structured elements, they embrace improvisation and jamming, injecting unpredictability into their live shows. The discussion widens to independent music in India and its value within today's globalized, capitalist landscape. Suyash defines independent music, emphasizing its genuine origins and narrative richness. Moses stresses the absence of a one-size-fits-all approach, encouraging artists to focus on creating music they believe in rather than conforming to formulas or trends. He acknowledges the evolving music industry, with artists seeking global recognition and independence. Aditya extends the conversation to the value of art, considering the rise in investments in digital assets like NFTs. Moses champions art's intrinsic worth, its ability to deeply connect people, and its role as a creative and expressive outlet. While acknowledging its investment value, Moses encourages cherishing art for its ability to inspire and evoke emotions, transcending mere financial value. Moses and Suyash express gratitude for connecting with audiences through their music, reflecting on the artistic revitalization triggered by the pandemic. They celebrate the positive aspects of working in independent music, particularly encountering diverse and open-minded audiences. They underscore the significance of staying true to their artistic vision amidst the ever-changing landscape of independent music. Aditya turns to Moses, discussing his varied roles as a model, actor, guitarist, instructor, and producer, asking which holds the most profound place in his life. Moses dismisses modeling as the least significant and emphasizes the profound role of music, especially production, in his life. Music is an indelible part of his identity, providing inspiration even in silence. Moses declares his enduring core identity as a musician and his deep love for performing on stage. Aditya engages Moses and Suyash in a conversation about the value of art, particularly music. Suyash starts by discussing the subjective nature of art's worth, shaped by individual experiences and preferences. They acknowledge the diverse emotional impacts of different types of music, celebrating its rich tapestry. Suyash delves into the complexity of pricing art, acknowledging the challenges in determining the value of art forms like music. They note that pricing often hinges on factors like marketing strategies and perceived uniqueness. They also touch on the impact of platforms like Spotify on the monetary value of music, where artists contend on an equal footing. Moses champions the intrinsic value of art and the artistic process, emphasizing dedication and storytelling over monetary considerations. He encourages exploration within art, detached from monetary aspects, allowing a deeper connection to its essence. While acknowledging the monetary challenges in the music industry, Moses advocates for an unwavering commitment to art, resisting excessive commercialism. Aditya shifts the focus to Kraken's daily activities, inquiring about an average day in their musical life. Suyash and Moses explore their band's dynamics, shared goals, and the delicate balance between professionalism and friendship in their creative process. Aditya highlights Suyash's extensive career as a sought-after drummer, involving various projects like Dualist Inquiry and Doppler Effect. He prompts Suyash to compare Kraken with his past endeavors. Suyash reflects on their experiences collaborating with different artists and the challenge of prioritizing projects amidst multiple offers. He underscores the importance of aligning goals and work ethics with collaborators, emphasizing Kraken as the current focus. Suyash details his refined approach to selecting projects, channeling creative energy into fewer spaces for better results, and prioritizing acts that resonate personally and share a similar work ethic. The interview concludes with a fun Rapid Fire segment where the two musicians share their emotional responses to songs and their favorite guilty pleasure tracks. They also entertain the idea of creating an experimental prog rock project, envisioning a lineup that includes various talented musicians. Apple Podcasts/Spotify/ Amazon Music/Google Podcasts & other major streaming platforms → Youtube → https://www.adiveera.com/podcast/johnpatitucciandsheldondsilva monthly 0.5 2023-12-28 https://images.squarespace-cdn.com/content/v1/6284029e49f1dd700faf8856/aa6d5c1e-defe-44ff-87f4-9f9ecf644d51/John+Patitucci+%28Post%29.jpg Podcast - Bridging Realms: Navigating the Heart of Bass with John Patitucci and Sheldon D'Silva - In this episode of Stalwarts Of Music with Aditya Veera Season 2, the spotlight shines on distinguished guests John Patitucci and Sheldon D'Silva. John Patitucci, born in Brooklyn in 1959, embodies a multifaceted musical career that transcends genres, instruments, and continents. His musical journey commenced early, delving into the electric bass at age ten and gradually mastering the acoustic bass and piano. Graduating from San Francisco State University and Long Beach State University, John's versatility bridged diverse musical realms, from soul and rock to blues, jazz, and classical. Notable for his studio collaborations with iconic artists like B.B. King, Chick Corea, Wayne Shorter, and many others, he received accolades, including the prestigious National Academy of Recording Arts and Sciences MVP on Acoustic Bass in 1986. His global acclaim soared through solo performances and collaborations with jazz luminaries, earning him two Grammy Awards and numerous nominations. John's compositional prowess extended beyond jazz; he composed for orchestras, chamber ensembles, and diverse partnerships. His significant contributions include his tenure at educational institutions, mentoring aspiring musicians at The City College of New York, and Berklee College of Music’s Global Jazz Institute. Residing in New York with his family, John Patitucci's legacy echoes far beyond his recordings, defining him as a luminary of the global music community. Sheldon D'Silva is a prodigious musician whose journey began when his father introduced him to the bass guitar at the tender age of 12. With unwavering support from his parents, Sheldon passionately dedicated himself to mastering the instrument, drawing inspiration from music maestros and absorbing knowledge from adept musicians. He believes the bass guitar serves as a vital bridge between rhythm and melody across diverse musical genres. Embracing mentorship from legendary figures like Louiz Banks, Sheldon co-founded Nexus at just 16, fostering innovative sounds and musical experimentation. Juggling studies in science and commercial art, he merged his learning into his musical endeavors. Inspired by renowned bassists like Jaco Pastorius, John Patitucci, and Sting, Sheldon aims to redefine the perception of bassists, advocating for their pivotal role in music. His eclectic journey includes performances alongside a myriad of global icons and diverse genres, from jazz and funk to rock and fusion. From sharing the stage with jazz legends George Duke and Al Jarreau to being part of renowned bands like INDUS CREED and Nexus, Sheldon has graced prestigious festivals like the Montréal Jazz Festival and the Java Jazz Festival, leaving an indelible mark in the global music sphere. His collaborations span Coke Studio Pakistan, Bollywood soundtracks, and a multitude of international albums, showcasing his versatility and expertise. An ambassador at the John F. Kennedy Center in Washington, D.C., Sheldon’s musical prowess and profound knowledge continue to propel him as an esteemed musician and an international endorsee for D’Addario and MuB Basses. The episode opens with a discussion featuring John, who shares his recent endeavors—performing at Birdland in New York City, scoring a film during the pandemic, and forthcoming projects. His multifaceted musical journey, encompassing recording, composing, and teaching at Berklee College of Music, becomes the focal point of the conversation. Aditya deftly transitions into exploring John's early musical influences, emphasizing the pivotal role of his grandfather and the introduction to the bass guitar. John vividly recalls moments of listening to artists like Stevie Wonder and The Beatles on the radio and the profound impact of discovering jazz records, particularly those by Art Blakey and The Jazz Messengers with Wayne Shorter. The dialogue then delves into John's reflections on Wayne Shorter's music and its influence on improvisation, freedom, and self-expression. His eloquent descriptions emphasize the emotional connection and storytelling within jazz music, an element that shaped his musical foundation. John shares insights into his approach to preserving traditions while infusing his unique voice into the music. His journey through classical bass studies and the decision to pursue a diverse musical career are central points, leading him to perform on global stages and collaborate with jazz luminaries. A spiritual angle emerges in the conversation as John discusses his upbringing in the Catholic Church, his inquiries into Christianity, and how his spiritual journey intertwines with his musical growth. He expresses gratitude for encounters with African-American cultural music, which shapes his understanding of rhythm and musical expression. The interview progresses, touching on John's discipline, humility, and the perpetual process of learning and evolving as a musician. His reflections on imposter syndrome and his unwavering passion for music resonate with authenticity. Discussions about the Chick Corea Elektric Band unveil the camaraderie that shaped John Patitucci's musical trajectory. Anecdotes from the band's early days, intense rehearsals, and the evolution of their performances underscore the transformative impact of such experiences on an artist's development. John's insights on the significance of rhythm, sound, and conveying emotions irrespective of the number of notes played add depth to the conversation. He dispels misconceptions about technique, emphasizing the broader aspects encompassing coordination, sound, and transmitting one's spirit through the instrument. The interview shifts to discussing a collaboration with Dan Costa on the album Beams 2023, revealing the musical roots and contemporary approaches embodied in the project. John's humility shines through as he discusses his authentic connection to the music and acknowledges the impact of collaborations on personal and professional levels. An unexpected turn in the interview arises as the possibility of visiting India is suggested. John shares his experience collaborating with Zakir Hussain, expressing excitement at the prospect. This conversation hints at the global reach and cross-cultural influences embedded in John’s musical journey. The conversation further unravels layers of John Patitucci's musical odyssey with a surprise appearance by Sheldon D’Silva, who is deeply influenced by John's work. Sheldon expresses gratitude and admiration, underscoring the significant impact John had on his musical approach. Personal experiences and the challenges of navigating the music scene in India are shared. Sheldon reminisces about discovering John's music on the album Inside Out with Chick Corea, a discovery that led him to embrace the six-string bass. He attributes his evolution from a bass player to a musician to John's profound influence. The dialogue highlights the universal language of music that bridges cultural divides, inspiring musicians across continents. As Sheldon shares his journey, the conversation explores the complexities of maintaining dual proficiency in both upright and electric bass. John reflects on his early attempts to balance the two instruments, acknowledging the challenges and the necessity of mastering both. The discussion delves into the distinct characteristics of each instrument and the skill sets required for mastery. A poignant moment arrives as Sheldon emphasizes the significance of John's approach, describing it as a display of major musicality. John acknowledges the influence of bass legends like Stanley Clarke and Anthony Jackson, discussing the challenges of pursuing both acoustic and electric bass. The conversation extends to John sharing anecdotes of influential figures in his life, such as Abraham Laboriel and Alex Acuña, who contributed to his comprehensive understanding of music. John's experiences in the Los Angeles studio scene during the late '70s and early '80s highlight the importance of adopting a composer's mindset and infusing each tune with a sense of responsibility. Diverse musical influences, from Larry Graham's innovative style to the orchestration choices in Chick Corea's music, are explored. The cross-cultural exchange between musicians from India and the West highlights the universality of music. Sheldon expresses gratitude for John's impact on his musical journey. John humbly accepts the acknowledgment and shares insights into his musical evolution, emphasizing orchestration and adaptability to different musical contexts. Sheldon praises one of John's albums, labeling it as a favorite. John credits Chick Corea for the existence of the album, stressing the importance of collaboration in its creation. The conversation seamlessly shifts to Sheldon's evolving journey, discussing the challenge of balancing roles as an acoustic and electric bassist. John interjects, offering insights into the complexities of Chick Corea's music, particularly the intricate arrangements and the need for a diverse musical vocabulary. Sheldon navigates the discussion toward music education in India, expressing concerns about the absence of conservatories and comprehensive music schools. He draws parallels between his learning experiences through records and the prevalent trend of quick-fix online tutorials. John emphasizes the importance of transcription and ear training in a global musical context, applauding initiatives like the Global Jazz Institute in Berkeley. The dialogue evolves, exploring the nuances of bass playing in modern contexts. Sheldon observes a uniformity in the sound of contemporary bass players, contrasting it with the diverse and unique sounds of pioneers like Anthony Jackson, Gary Willis, Victor Wooten, and Stanley Clarke. John attributes this trend to the ease of imitating certain aspects without delving into the deeper intricacies of sound creation. The conversation culminates in a poignant discussion on how life experiences shape musical expression. John eloquently emphasizes the necessity of embracing life's ups and downs to infuse depth into one's music. Inspired by this philosophy, Sheldon invites John to review a piece titled When Times Change, dedicated to his late father. As the interview concludes, an atmosphere of warmth and camaraderie permeates. Aditya expresses hopes for future collaborations between the bassists, with John eagerly anticipating a visit to India. The interview, touching on the technical and spiritual facets of music, stands as a testament to music's power in transcending cultural boundaries and forging profound connections between individuals. Apple Podcasts/Spotify/ Amazon Music/Google Podcasts & other major streaming platforms → Youtube → https://www.adiveera.com/podcast/brucecockburn monthly 0.5 2023-11-17 https://images.squarespace-cdn.com/content/v1/6284029e49f1dd700faf8856/624ac27c-554d-4766-9685-24e5c0815e48/Bruce+Cockburn.jpg Podcast - Bruce Cockburn: Slice O' Life and Musical Pursuits - Bruce Cockburn, the Canadian singer-songwriter and guitarist, is celebrated for his extensive career. Bruce's musical talents have earned global recognition. Among his notable accolades are the Order of Canada, with an elevation to Officer status in 2003, along with several honorary doctorates bestowed upon him by renowned institutions such as York University, Berklee College of Music, St. Thomas University, Queen’s University, the University of Victoria, McMaster University, Carleton University, and Memorial University. His achievements include a momentous performance at the Presidential Inaugural Ball in 1993, induction into the Canadian Music Hall of Fame, the reception of the Queen Elizabeth II Diamond Jubilee Medal in 2012, and the esteemed Allan Slaight Humanitarian Spirit Award in 2014. Further accolades encompass the Denise Levertov Literary Award in 2015, the Folk Alliance International People’s Voice Award in 2017, and induction into the Canadian Songwriters Hall of Fame during the same year. Most recently, in 2021, he was honored with recognition on Canada's Walk of Fame. Aditya begins the interview by engaging Bruce in a conversation about his cultural background and how it influenced his earliest musical memories. Bruce reminisces about his exposure to classical music during his childhood, largely due to his father's influence, who believed in exposing his firstborn to important cultural elements. Bruce's parents also enjoyed musicals, Broadway tunes, and pop music, which contributed to his early musical exposure. However, as rock and roll emerged in the late 1950s, it captivated him and played a significant role in shaping his musical preferences. As he delved into his teenage years, Bruce rekindled his interest in classical music, explored jazz, and self-studied jazz composition and musical theory. The interview then shifts to Bruce's memorable encounter with Ali Farka Touré in Timbuktu, Mali. This unplanned meeting occurred during the filming of a documentary about desertification, a critical issue in the region. Bruce vividly recounts the experience, including an unusual dinner involving two sheep. He describes how he was invited on stage by Ali Farka Touré during a performance, even though they had limited language in common, making for an interesting and slightly awkward collaboration. The discussion transitions to Bruce’s environmental activism, which is reflected in his music. Aditya inquires about the impact Bruce hopes to achieve through his music in raising awareness about environmental issues. Bruce explains that his songwriting often stems from emotional responses to these concerns. He shares insights into the collaborative process behind his song To Keep the World We Know, which addresses climate change and wildfires, highlighting the intentionality behind the creation of this song. Aditya asks about Bruce's hopes and aspirations for the future of environmental activism and the global response to climate change. Bruce acknowledges that he writes songs based on his emotional responses to various issues, including environmental concerns. He believes that songs alone may not bring about significant change but can serve as anthems or rallying cries for popular sentiment. He hopes that songs can provide reassurance and encouragement to those concerned about climate change. The conversation then shifts to global efforts to address environmental issues. Aditya mentions the initiatives in India, such as combating pollution and protecting the environment. Bruce acknowledges the growing consciousness worldwide regarding the need to address environmental challenges. However, he notes that resistance persists, with some individuals denying the existence of climate change or its human causes. He highlights the complexities of balancing economic prosperity with environmental sustainability and emphasizes the importance of imagination and will in decision-making. Aditya praises Bruce's role in spreading awareness through his music, and Bruce expresses his intention to make music meaningful and relatable to his audience. Aditya inquires about the symbolism and emotional resonance of the song Colin Went Down to the Water. Bruce shares that the song was inspired by a tragic incident where a friend of his, Colin Pierce, drowned in a scuba diving accident while they were in Maui. He describes the beautiful tropical setting in which the song was composed and how it evokes both the beauty and the poignant loss of that environment. Bruce's creative process is characterized by writing songs that capture his emotional experiences and make them relatable to others. He also discusses how his musical style and approach have evolved over the years, from rock and electric guitar to more contemplative and acoustic music. Aditya then engages Bruce in a thoughtful discussion about his song, Pacing the Cage, which is featured on one of his earlier albums. Bruce opens up about the inspiration behind it, revealing that the song is a product of his own aging process and his growing awareness of mortality. He describes how the horizon of mortality seems closer as one ages, and he shares that he's both apprehensive and curious about what comes next. However, he emphasizes that the song isn't meant to be mournful; instead, it serves as a celebration of life, even in the face of inevitable mortality. The conversation then transitions to a discussion of Bruce's unique guitar style. Bruce shares that he was influenced by artists like Mississippi John Hurt, Mance Lipscomb, Brownie McGhee, and Sonny Terry. He describes how his guitar style evolved, combining fingerstyle guitar techniques influenced by jazz with the fingerpicking style commonly associated with blues musicians like Mississippi John Hurt. He also mentions that Pacing the Cage utilizes techniques like drone bass and alternating bass with chords and melodies played atop them. Bruce goes on to reflect on the evolution of his guitar playing and how, due to arthritis, he is considering reworking the guitar part for Pacing the Cage. This adaptation is necessary to accommodate his physical limitations while preserving the song's original feel and essence. The conversation then takes an intriguing turn as Bruce vividly describes the origins of the song's lyrics. He paints a picturesque scene of driving back to his horse farm in Canada, where he once lived. He recalls a stunning sunset behind the Niagara Escarpment, which resembled an angel weeping while holding a sword. This striking visual image served as the catalyst for the song's creation. Bruce mentions that Pacing the Cage explores themes of feeling confined by one's choices and finding oneself in situations that don't feel fulfilling. Aditya expresses his hope that Bruce is currently in a better place, both in terms of health and life circumstances. Bruce responds positively, suggesting that people can relate to the song's themes, which are universal aspects of the human experience. Aditya then engages Bruce in a profound discussion about spiritual and existential themes within Bruce's music and his personal beliefs. Bruce begins by sharing that his awareness of spirituality and the non-physical aspects of life started in his late teens. He mentions that, while he was exposed to Christianity in his upbringing, it was initially presented as something people did rather than a personal experience. This realization led him to explore various spiritual paths, including Buddhism, the occult, and different philosophies. Over time, he returned to Christianity but emphasized that he never believed it to be the only valid spiritual path. He underscores the importance of honoring the human hunger for a relationship with the divine and expresses the belief that how individuals manifest their spirituality is influenced by culture, personal experiences, and inclinations. Bruce is open to the idea that various major religions have something valuable to offer in terms of spiritual connection. He emphasizes that it's ultimately about the personal relationship with the divine, transcending cultural limitations. Aditya appreciates Bruce's perspective and acknowledges the value of faith passed down through generations. Bruce further discusses the limitations of culture and how different cultures have their own unique ways of communicating spiritual concepts. He expresses a desire for people to be open to learning from other cultures and not to fear change. Bruce also delves into the idea that fear can be a significant obstacle to human development, impacting spirituality, environmental awareness, and even adaptation to change. He believes that understanding one's relationship with God on a deeper level can help reduce fear and lead to a more open and compassionate perspective. The discussion then shifts to the timeless quality of Bruce’s music and how it relates to contemporary trends. Bruce acknowledges the role of fashion and radio airplay in the short term, but he expresses hope that his music can transcend time and resonate with future generations, much like the music of old blues musicians who found renewed popularity years later. The conversation then turns to the themes in Bruce's music, which often tackle sensitive topics. Bruce admits that while some people may object to political themes in songs, he believes in telling the truth as he sees it, and not all listeners will share the same opinions. He mentions that he's sometimes labelled as anti-American due to his political songs, but clarifies that he's critical of certain policies, not the entire country. The topic of competition in the music industry is broached, and Bruce emphasizes that he doesn't view art as a competitive arena. While he admires other talented guitar players and feels occasional jealousy, he values the uniqueness of each artist's contribution and doesn't see the need for rivalry. The interview then explores how Bruce's extensive travels around the world have influenced his artistic perspective. Bruce describes his experiences in various cultural settings and how they have been educational and eye-opening. He highlights the universal aspects of humanity that he has observed, even in the face of extreme poverty or hardship, which has deepened his understanding and empathy. The conversation briefly touches on Bruce's limited visits to India, and he expresses appreciation for Indian food and music. Aditya extends an invitation for Bruce to visit India, and Bruce expresses his interest in the idea. Furthermore, the discussion touches upon the challenges and obstacles Cockburn has faced throughout his career and life. He mentions his early physical condition, a condition called spinal bifida, which could have been crippling but turned out to be relatively minor in his case. This physical aspect of his life influenced his choices, leading him to pursue music instead of sports. It's a testament to his ability to adapt and find his own path despite perceived limitations. Cockburn's upbringing in a comfortable middle-class North American household also plays a role in his perspective. He didn't grow up feeling the need to dominate or constantly strive for more because his basic needs were met. This allowed him to approach his music and life with a sense of contentment and authenticity. In essence, Bruce’s insights from overcoming obstacles and maintaining authenticity in his music and life emphasize the importance of staying true to oneself, adapting to challenges, and finding one's unique path without being overly influenced by external comparisons or societal pressures. His philosophy extends beyond music, emphasizing the importance of having a well-rounded life that includes family, philanthropy, and personal growth. In this final segment of the interview, Aditya introduces a Rapid Fire segment, asking Bruce Cockburn a series of quick questions to gain insights into his preferences and thoughts. Despite the rapid nature of the questions, Cockburn provides thoughtful responses. First, Cockburn shares that the song I’m Going to Take It With Me When I Go by Tom Waits always makes him cry. He then reveals his favorite guilty pleasure song, God Save the Queen by the Sex Pistols. When asked about the members of an all-star indie folk band, Cockburn envisions a diverse ensemble featuring Irish, Indian, and Turkish musicians, banjo players, accordion players, and maintaining gender balance. The discussion shifts to cuisine, with Cockburn mentioning that he enjoys the standard meat and potato diet he grew up with, although he can no longer eat potatoes, so he opts for meat and rice. He also expresses his appreciation for various types of food. The interview concludes with Cockburn sharing five essential qualities for a singer-songwriter: imagination, musical ability, integrity, maintaining artistic control, and commitment. Aditya wraps up the interview by asking how Cockburn would like to be remembered, to which he humbly responds that he hopes to be remembered as someone who did their best with respect to the art and contributed something positive to the world. Apple Podcasts/Spotify/ Amazon Music/Google Podcasts & other major streaming platforms → Youtube → https://www.adiveera.com/podcast/jordanrudessandyogi monthly 0.5 2023-11-17 https://images.squarespace-cdn.com/content/v1/6284029e49f1dd700faf8856/fa84263f-06d8-4784-acd0-020e3019dbb8/jordan.jpg Podcast - Universal Mind: Jordan Rudess in the spotlight ft. Yogi - This episode of Stalwarts Of Music with Aditya Veera features American keyboardist, composer, and software developer Jordan Rudess and a special guest, Yogeendra Hariprasad (Yogi), who is a founder, producer, and keyboardist. The interview begins with Aditya asking Jordan about his early life in music and the influence of his teachers from Julliard School, such as Adele Marcus and Katherine Parker. Aditya inquires about the pressure Jordan felt to meet their expectations and how he stayed motivated. Jordan explains that he was led into classical education at a young age and didn't question it until later. He emphasizes his dedication to music and his constant quest for new discoveries. Aditya then explores the role of mentors and parents in Jordan's musical journey. Jordan mentions his mother's support but acknowledges that neither of his parents were equipped to guide his music career. He describes how his own passion and curiosity led him forward, always seeking to learn and grow. The conversation shifts to Jordan's involvement in music education. Aditya highlights the importance of indicators for qualitative learning and the value of musical certificates and degrees. Jordan clarifies that his online conservatory is not structured like a traditional school. It was born out of his desire to share knowledge, and he collaborates with tech-savvy individuals to create educational materials. He sees himself as both an artist and an educator. Aditya points out Jordan's multifaceted roles, such as Chief Musical Officer at CME Music, Director of Music Technology at Roli Labs, and his innovations in music tech with Wizdom Music. He asks if Jordan ever experiences an identity crisis due to these varied roles. Jordan explains that all these roles are interconnected and reflect his passion for music and technology. He elaborates on his involvement in music technology and his willingness to connect people in the industry. He emphasizes that all these activities are part of who he is and his love for music and technology. Aditya mentions that he spoke with Vijay Ganesh from Swarnabhoomi Music Academy, who had the privilege of spending time with Jordan Rudess in India. They discussed Jordan's social and people-oriented nature. Aditya then asks Jordan about a letter he wrote as an eight-year-old, claiming he could play better than Leonard Bernstein. Jordan recalls that his mother introduced him to Leonard Bernstein's music, and he admired Bernstein's versatility in classical and other genres. He speculates that his youthful confidence led him to write the letter, which he later forgot about until the Library of Congress rediscovered it. Aditya congratulates Jordan on winning a Grammy Award and asks about its significance to him, given his longstanding commitment and passion for music. Jordan acknowledges that the Grammy holds value in terms of career opportunities and public recognition, especially as it immediately garners respect from people outside the music industry. He also appreciates the acknowledgment and respect from fellow musicians within the industry, especially in the metal category. Jordan reflects on Dream Theater's journey and how they navigated the transition to a more commercial world, ultimately appreciating the doors that the Grammy opened for them. He concludes that while they continue to create music, there is a notable reality to the Grammy's impact on their career. Aditya inquires about Jordan Rudess' evolution as a musician from his 1993 album Listen to his latest release, Chase, and the improvements he's personally felt in terms of musicality. Jordan explains that he's constantly exploring new technologies for musical expression, which has enriched his music over the years. He mentions his inventions and applications, such as GeoShred, as well as a new instrument called an Osmose, which has recently caught his interest. Jordan emphasizes how technology, software, and physical instruments contribute to his musical evolution. Aditya also asks about Jordan's creative process and the influences behind his music. Jordan describes himself as an improviser who enjoys playing spontaneously and letting music flow through him. He acknowledges the influence of artists like Gentle Giant and Rick Wakeman and his work with bands like Dream Theater and Liquid Tension Experiment. Jordan notes that all these influences blend together to create something original, which he believes is one of the most challenging yet rewarding aspects of music composition. He emphasizes the importance of merging various influences and allowing them to become part of his unique musical vocabulary. His creative process involves a fluid interplay of musical ideas drawn from a wide range of sources. Aditya asks Jordan Rudess about his beliefs in the cycles of life and rebirth and how they relate to his musical career. Jordan mentions that his musical journey is not a linear progression but more like a circular path where past experiences and influences continue to shape his present and future musical endeavors. He emphasizes that he remains inspired and open to new musical discoveries, but there's no guarantee that his best work is still ahead of him. He leaves room for the unpredictability of life and music. Jordan also talks about his experiences working with exceptional guitar players like John Petrucci, Vinnie Moore, and Stephen Wilson. He distinguishes between guitarists who are primarily players and those who are composers as well. He highlights the importance of the music they create and how it defines their impact in the industry. Regarding spirituality, Jordan describes his music as a form of spirituality. He uses music for meditation and aims to create music that can help others enter a more spiritual or meditative state. He reflects on the significance of his albums in marking periods of his life and career. He mentions how each album represents a unique moment in time and how they serve as both personal and public milestones. Jordan also shares a memorable and humorous experience involving an earthquake in Mexico City during a live performance. Aditya then introduces Yogi, who expresses his deep appreciation for Dream Theater's music and how it has been a life-altering experience for him. He plays the keyboard and mentions how Dream Theater's music inspired him to explore the keyboard in unconventional ways. Yogi asks Jordan Rudess whether he has ever felt that he hit a ceiling in terms of exploring the capabilities of the keyboard as an instrument. Jordan responds by highlighting his continuous interest in the evolution of musical expression. He talks about the various hardware and software products he has been involved with, including the GeoShred, which is popular in India for its intelligent pitch control. Jordan also introduces a new keyboard called the Osmose, which he describes as a game-changer. He explains how the Osmose allows for new levels of expression and control, making it feel more like a continuous instrument, unlike traditional keyboards. This exchange showcases Jordan Rudess' enthusiasm for innovation in music technology and his commitment to pushing the boundaries of musical expression through keyboards and other instruments. Jordan Rudess acknowledges the possibility of having different keyboard layouts within GeoShred, including a more traditional keyboard layout with alternating rows of white and black keys. He recognizes that the current layout may not suit everyone's preferences, and there's room for innovation and customization in this area. While the current layout serves its purpose, he's open to exploring other interface options to make GeoShred more versatile and adaptable to users' needs. Jordan Rudess describes the process of improvisation as a fluid and somewhat mysterious experience. He finds it challenging to articulate exactly how it works because it involves a dynamic interplay of musical ideas, muscle memory, and creative intuition. Sometimes, during improvisation, he may be thinking about various musical elements or phrases that flow through his mind without consciously planning each note in advance. It's akin to the way people speak and form sentences without premeditating each word. The musical vocabulary he's developed over the years, including scales, arpeggios, and riffs, serves as building blocks that he can draw upon in the moment. He also compares the improvisational process to learning a new instrument, like the guitar. While one can master technical skills like sweep arpeggios, true improvisation involves understanding how to weave these skills together into a coherent musical phrase within a specific context. In the end, improvisation is a deeply intuitive and spontaneous process that combines a musician's knowledge, skills, and creative instincts, making it difficult to dissect or explain in a linear manner. Jordan Rudess provides insightful perspectives on the concepts of form and structure in music composition. He acknowledges that the definition of what constitutes a "good" sound or composition can vary widely depending on the genre and artistic intention. In progressive music, where he often operates, it's common to have complex and evolving structures that shift between different musical ideas. However, in more traditional forms, like pop songs or classical music, there might be a stronger emphasis on established forms and structures. He also shares an interesting personal anecdote about attempting to compose a concerto but being told by an orchestrator that it didn't adhere to the specific form expected of a concerto. This experience highlights the importance of understanding and respecting the conventions and structures associated with different musical forms. Jordan provides valuable insights into the balance between technicality and emotion in music composition and performance. He acknowledges the allure of technical prowess and the desire to showcase one's skills as a musician, but he also emphasizes the importance of serving the song's emotional and artistic needs. He highlights the need to consider the audience and their ability to connect with the music, as well as the context in which the music is being created. In some cases, showcasing technical skill can be impressive, but it may not always serve the overall purpose of the composition. Jordan also discusses the concept of technique and how it goes beyond just playing fast. Technique encompasses the ability to play beautifully at different tempos and dynamics, ultimately serving the expression and emotion of the music. His advice for artists facing the challenge of balancing technicality and emotion is to consider the context of the music, the needs of the song, and the audience's expectations. Sometimes, it's necessary to get the desire for technical displays "out of your system" but also recognize when to focus on serving the music's emotional core. Jordan expresses his thoughts on various aspects of music, including his preferences and concerns about the current state of the music industry. He discusses how he values music that has interesting musical qualities, regardless of genre, and mentions an appreciation for rap music when it exhibits unique rhythm or sonic elements. However, he does express his disinterest in music that lacks musical depth and relies on repetitive beats and explicit themes. Regarding the responsibility of musicians to shape and guide the perception of music as an art form, Jordan acknowledges that many listeners still appreciate and gravitate toward more intellectual and progressive forms of music. He believes that musicians who create complex and high-quality music have a kind of mission to continue sharing their work with the world, even as mainstream music trends toward simpler and more accessible forms. He emphasizes the importance of these musicians persevering and not giving up due to changes in the music industry. He also touches on the evolving music industry and how the business side of music has transformed significantly over time, impacting the careers of artists. He highlights that the current landscape is different from previous decades, which could have led to an entirely different career trajectory for bands like Dream Theater if they were active in the '70s or early '80s. Finally, Jordan humorously mentions misconceptions about musicians' wealth in the age of the internet, debunking exaggerated figures related to his earnings. Overall, his insights offer valuable perspectives on music, artistry, and the music industry's challenges and changes. Apple Podcasts/Spotify/ Amazon Music/Google Podcasts & other major streaming platforms → Youtube → https://www.adiveera.com/podcast/richiekotzenandtonydas monthly 0.5 2023-11-17 https://images.squarespace-cdn.com/content/v1/6284029e49f1dd700faf8856/84cfb2e9-c802-40e7-95b8-673cac52da82/Richie+Kotzen.jpg Podcast - Richie Kotzen and Tony Das: Shredding the Norms - Richie Kotzen is an American guitar virtuoso, singer, songwriter, and producer. His journey began in the early 1990s as a solo artist on Shrapnel Records, where his lightning-fast guitar technique gained him recognition. Kotzen's versatility as an artist allowed him to venture into various musical realms, from hard rock, pop, and blues to funk and jazz fusion. His contributions to stalwart glam-rockers Poison and Mr. Big added to his musical repertoire. In 2012, he co-founded the hard rock supergroup The Winery Dogs, further solidifying his musical prowess. Kotzen's remarkable career includes the release of his ambitious project 50 for 50, commemorating his 50th birthday. His extensive discography and impactful collaborations have solidified his status as a celebrated musician in the realm of rock and beyond. Tony Das, a seasoned musician with nearly two decades of professional experience, boasts an impressive track record in the music industry. He's an accomplished guitarist for Peepal Tree, a band that has graced prominent Indian music festivals like NH7 and OctoberFest and received acclaim for their initial music videos. Tony also lends his guitar skills to Bhoomi, a heavy metal outfit that collaborated with Grammy-winning producer Neil Kernon on their debut album and toured extensively in India. As a key collaborator with Thermal and a Quarter, Tony has played guitar and bass at memorable gigs in India, the UK, and the Gulf. This exceptional episode marks the first ever Indian premiere of the brand new album Winery Dogs Album III, featuring Richie Kotzen. Aditya kicks off the interview by questioning Richie about his initial foray into music. Richie fondly recollects his affinity for music gatherings at his home during his childhood and how a poster of The Beatles sparked his desire to become a musician. This pivotal moment led him to take guitar lessons and embark on his musical journey. Aditya shares his experience of listening to Richie's new album, a classy and old-school production, and mentions that the album was mixed by Jay Ruston. Richie emphasizes the importance of capturing the nuances of the trio's music. Aditya then dives into what makes The Winery Dogs special, to which Richie acknowledges the unique chemistry and interplay among the members. He highlights the irreplaceable nature of each member's contribution and the organic, technology-free essence of their collaboration. Aditya acknowledges Richie's showmanship as a guitar player, mentioning how Richie's stage antics like tossing and spinning the guitar have left a lasting impression, and inquires whether the primary purpose of his music is to make people happy. Richie acknowledges that artists do care about how people perceive their music; otherwise, they wouldn't release it publicly. Richie notes that his approach to lyrics in The Winery Dogs is conversational, aiming to connect on deeper levels beyond just happiness. He shares instances where fans have expressed how his music has impacted them during difficult times or special moments, which reinforces his belief in the significance of music. Aditya queries why rock music holds importance for communities and why it's vital for people to appreciate this genre. Richie provides a thoughtful response, mentioning that people will naturally gravitate towards the music that appeals to them, emphasizing personal preference. Richie then delves into the diverse spectrum of rock music, highlighting its range from heavy and aggressive to soft and melodic and even incorporating elements of funk, soul, and more. He contrasts rock's broad appeal with genres like jazz, which might have a more specific audience. Richie underscores rock music's ability to transcend cultural boundaries due to its multifaceted nature. Aditya acknowledges Richie's impressive discography of about 22 solo studio albums. Richie notes that while he's lost count of the exact number, he continues to create music that resonates with people globally. He recalls his early experiences with songwriting as a child and how his life experiences gradually provided him with the material to craft meaningful songs. He expresses that predicting others' reactions to his music is not something he can control and that he focuses on staying authentic in his creative process. The conversation then turns to spirituality and its influence on Richie's music. Aditya inquires how spirituality informs Richie's work as a musician. Richie responds candidly, mentioning that he doesn't delve into the intricacies of spirituality in his creative process. When Aditya asks if Richie would describe himself as naturally gifted, Richie humbly rejects that label. He believes that every individual's personality shapes their path, and he sees his progression in the music industry as a result of his interests and consistent efforts. He underscores the importance of his passion and the deep connection between himself and his music. Aditya and Richie discover a shared love for Philly soul music and Hall & Oates. Richie discusses his regional connection to Daryl Hall and how he appreciates the Philadelphia sound. He explains that while he explored various techniques as a young musician, he now prioritizes creativity, songwriting, and singing, and he continues to learn new techniques through collaboration with other musicians. He provides an example of how working with others can lead to new techniques and approaches. Aditya asks Richie about his artistic collaboration with his wife, Julia Lage. Richie praises Julia's talents, highlighting her skills as a singer, bass player, and songwriter. He mentions that they are currently working on new music together as the interview takes place. Richie elaborates on their past collaborations, sharing that they once embarked on an acoustic tour together. The tour was initially designed as a vacation for Richie, but with a promoter's suggestion, he and Julia performed his material together. Richie also mentions a recent album he worked on with Adrian Smith from Iron Maiden. For this project, they formed a live group and decided to include Julia on bass. He applauds Julia's stage presence and musical abilities, noting that she brought a unique level of showmanship to their performances. He mentions that their live group also featured Bruno Valverde on drums. Tony Das, guitar player for Thermal and a Quarter, Peepal Tree, a music aficionado and dedicated follower of Richie's work, joins the conversation to share his admiration for Richie and his musical journey. Tony expresses his excitement at being able to speak to Richie directly, mentioning that he's been a big fan for a long time. Tony shares a story about how he was drawn to Richie's signature guitar and his efforts to replicate its features on his own instrument. Tony explains that the guitar has a neck made from satin wood, a local wood variety. Richie shows interest in trying out the guitar when he visits India in the future. Tony mentions that he almost had a chance to meet Richie at the Orange Festival in Dambuk, where both were performing, but he had conflicting commitments at the time. Richie recalls the festival and expresses his positive memories of the experience, noting the wonderful audience and his desire to perform in India again. Tony recalls discovering Richie through the Guitars That Rule the World compilation album and a song called Chype Fluxx. He asks Richie about the unconventional title of the song and how Richie achieved the complex sounds in the track. Richie explains that the title was an inside joke and that the song was meant to be deliberately indecipherable, showcasing his technical prowess on the guitar. Tony shares how he was drawn to Richie's playing style and how he found Richie's playing different from other guitarists like Steve Morse. He mentions discovering Richie's compatibility with Mr. Big through the Farewell Tour DVD and how Richie's playing fits well within the context of the band's music. Tony then delves into Richie's musical origins, asking how he transitioned from being a showman to focusing on developing his guitar virtuosity. Richie explains that his journey began with wanting to break out of the local scene and become a national-level artist. He describes his early motivations, such as sending demo recordings to Mike Varney, who eventually invited him to make an album, and getting featured in Guitar World Magazine. Tony asks when and how Richie developed his singing skills. Richie explains that he used to sing in a band where everyone sang, and he took the opportunity to sing lead vocals occasionally. He talks about his influences and the artists he emulated, such as Sly and the Family Stone, Parliament-Funkadelic, and Rod Stewart. Richie mentions that he started taking his singing more seriously around the time of the Fever Dream album. Tony asks Richie about his transition from using a pick to playing with his fingers. Richie explains that he initially started using a combination of both picking and finger plucking, but the transition to predominantly using his fingers happened during a show in South America. He recounts the incident where his pick fell out and he continued playing without it, which led him to explore fingerstyle playing. Richie mentions that the positive experience encouraged him to continue and eventually led to him developing his unique fingerstyle technique. Tony brings up a recent track of Richie's, Mad World, and comments on the various tones he achieves. Richie explains that while some trill passages may involve fingerstyle playing, there's a certain muting technique he employs to achieve a specific attack and sound, often giving the illusion of using a pick. He elaborates on how he combines fingerstyle techniques with muting to create the desired tones. The conversation concludes with Tony mentioning Richie's gear and asking about using a Fender Twin amplifier. Richie explains that getting the desired sound from a Fender Twin involves using certain drive pedals and techniques to push the amp into the right tonal territory. He also talks about his current gear setup involving the Victory Amps and his signature Fly Rig. Overall, the interview showcases Richie Kotzen's genuine and thoughtful insights into his music, playing style, career, and artistic philosophy. Apple Podcasts/Spotify/ Amazon Music/Google Podcasts & other major streaming platforms → Youtube → https://www.adiveera.com/podcast/ranjitbarot monthly 0.5 2023-11-17 https://images.squarespace-cdn.com/content/v1/6284029e49f1dd700faf8856/426208ad-89b2-418a-a10a-042d4b76c377/WhatsApp+Image+2023-08-19+at+1.00.25+AM.jpeg Podcast - Ranjit Barot's Musings on Music and Identity: From Traditions to Triumphs - Ranjit Barot is a prominent figure in Indian commercial music and global jazz fusion, renowned as the musical director for A.R. Rahman's concerts and a respected drummer for Sir John McLaughlin’s Fourth Dimension. He recently performed at the Mahindra Percussion Festival, featuring esteemed artists like Arto Tunçboyaciyan, Sivamani, Jai Row Kavi, Gino Banks, Paquito Gonzalez and many more. Aditya discusses the origins of creativity, where genetics, environment, and karma play roles. Ranjit relates his upbringing, highlighting the karmic aspect and divine talent manifestation. He stresses maintaining an unobstructed channel for creative energy. They delve into childhood experiences in India shaping identity. Ranjit emphasizes strong familial bonds, cultural richness, and his mother's influence, fostering his perspective and self-assurance. Aditya explores life's impact despite a sheltered upbringing. Ranjit admits self-induced hardships channelled into music for growth. Teaching focuses on guiding students to uncover unique voices. Fostering originality is discussed. Ranjit believes time together infuses essence, preferring mental practice, meditation, music, and cooking. He expresses a love for composing, arranging, and staying connected to drums. Aditya questions if classical music's discipline hinders expression, but Ranjit disagrees, citing improvisation's essence and its liberating nature. Ranjit reflects on challenges amid the digital age's chatter and the impact of joining John McLaughlin's band. Mentoring by Zakir Hussain and John McLaughlin is valued for authenticity and support. Ranjit embraced online learning during the pandemic, enhancing compositional skills. He explains musician selection as A.R. Rahman's musical director, focusing on musicianship, reliability, and ensemble harmony. Konnakol’s importance in Ranjit's Indian classical music understanding is highlighted. It deconstructs arrangements and influences his drumming style. Spiritual and philosophical perspectives in compositions are discussed, citing drummers like Virgil Donati and Dennis Chambers. Ranjit’s future aspirations include a 2024 trio project with Gary Husband. Ranjit's adaptability is attributed to his bicultural upbringing. Aditya commends Ranjit's ease-infused work, rooted in his Indian upbringing. Parallels with like-minded artists Richard Bona and Gary Husband are drawn. Ranjit concludes by letting Aditya know that his experience being on Stalwarts Of Music was by far one of the most intelligent interviews he has done. Apple Podcasts/Spotify/ Amazon Music/Google Podcasts & other major streaming platforms → Youtube → https://www.adiveera.com/podcast/mamogiandlydiannadhaswaram monthly 0.5 2023-11-17 https://images.squarespace-cdn.com/content/v1/6284029e49f1dd700faf8856/ad9a682a-da6f-4754-ad1a-63a9793ff92a/WhatsApp+Image+2023-08-06+at+8.07.27+PM.jpeg Podcast - MaMoGi and Lydian Nadhaswaram: An Interplay of Virtuosity, Chemistry and Creative Caprice - Aditya Veera, the interviewer, engages in an intriguing conversation with musicians Mark Hartsuch, Mohini Dey, and Gino Banks (MaMoGi) ft. Lydian Nadhaswaram on the occasion of Oddball Music Festival. Together, they form a collective that embodies diverse facets of creativity in their music. Aditya poses a thought-provoking question about the creative impulse behind MaMoGi. Mark, Mohini, and Gino express their delight in collaborating with each other as MaMoGi, which combines Western harmony ideas with traditional Indian elements. Mark, as a composer, enjoys the East meets West concept, incorporating elements from Bebop, Jazz Fusion, and Progressive Rock into MaMoGi’s music. He praises Mohini and Gino's exceptional talent, which elevates their songs to new levels. The project's impetus is based on their friendship, mutual respect, and desire to explore, create, and share their music with the world. Mohini emphasises the uniqueness of the project, with each member bringing their individual experiences and cultural backgrounds to create a distinct sound. They cherish the organic and natural collaboration that led to the idea of making an album together. Gino highlights the joy of playing together and the strong connection between the three musicians. He appreciates the balance between structured elements and improvisation in their music, which makes each performance unique and engaging for the audience. The conversation also involves Lydian Nadhaswaram, a guest artist, who expresses his admiration for the band and excitement to join them for the upcoming Oddball Festival. Aditya Veera continues the conversation, expressing his excitement about the upcoming Oddball festival and the variety of music it will offer. He commends the musicians for their evolution and their ability to continually deliver fresh and new music to their audiences. He then shifts the focus to Gino Banks, acknowledging his significant role in music education. Aditya praises Gino for founding music schools like Algorithm Drums and Nova School of Music, as well as his involvement as an adjunct faculty member at NMIMS. Aditya is curious about the objectives of these organisations and how they differ from institutions like the Berklee School of Music or the Musicians Institute. Gino explains that the curriculum is a hybrid mix, drawing from various sources, and emphasises the importance of helping students learn at their own pace. Mohini Dey's achievements are highlighted next, with Aditya recognising her impressive collaborations with renowned artists both in India and globally. Aditya inquires about her approach to persuading these successful and sometimes elusive artists to collaborate. Mohini modestly shares that she never planned or dreamed of these collaborations but rather focused on her music and let the opportunities come to her. Mark Hartsuch appreciates Mohini's authenticity and realness, noting that she is the real thing in a world where social media often presents manipulated images. Mohini also differentiates between musicians who focus on online presence (IG musicians) and those who are actively working and performing live (real musicians). Aditya Veera compliments Lydian’s impressive performance of "Flight of the Bumblebee" at a fast rate of 340 BPM. Aditya mentions that Lydian was mentored by two people, A.R. Rahman and Illayaraja, and asks him about the intense and important environment he grew up in. Lydian Nadhaswaram responds by explaining that he is home-schooled and focused full-time on music. He learned a lot through YouTube and attended regular lessons, including sessions with Illayaraja. Lydian also mentions his education at the conservatory and expresses his dedication to music, emphasising that he is still developing and has a long way to go in his career. Lydian shares that he loves various musical styles, including Jazz, Hindustani, and Carnatic music. He mentions that his first instrument was the drums, which introduced him to Jazz and Western classical music. He discusses his debut Jazz album and his current project, which involves blending Hindustani and Carnatic music with Jazz. Aditya asks Lydian if he has a personal favourite musical style, to which Lydian responds positively, mentioning Jazz as one of his favourites, along with Indian Classical music. Mohini Dey speaks about playing with Lydian and expresses her excitement and honour to be part of the performance. Mohini and Mark discuss the importance of dedication and hard work in music and the value of being serious and sincere in their practice. Mark shares his perspective on music and improvisation. He talks about Jazz music and the balance between structure and improvisation. He emphasises the importance of leaving room for expression and improvisation in his music. Mark also explains his background in Jazz music and the importance of tightness and form in their performances. He talks about striving for perfection in every gig and delivering energetic performances that engage the audience without having to demand applause. Mark discusses the evolution of music and how certain improvisational styles, like Miles Davis's performances, were celebrated in the past. However, he points out that audiences today might not be as receptive to extended jams on just two chords. He emphasises the importance of maintaining a tight and well-structured performance while leaving room for improvisation. Aditya Veera builds on Mark's point, asking him about the intent behind their music as a collective group. Mark responds, saying that they aim to provide a well-rounded experience for the audience, inspiring and enriching their lives through their music. Mohini adds that they want people to dance and groove to their music, even if it's in odd signatures like seven or five. Mark and Mohini emphasise that they are entertainers and musicians who want to deliver a unique and engaging experience to their audience. They express their desire to connect with the audience on an emotional level and bring joy through their performances. Mark explains that they are working on incorporating a light show to enhance the presentation and make the entire experience more enjoyable. Mohini adds that they see the audience's reactions and energy on stage, which motivates them to do their best and give the audience a one-of-a-kind experience. She highlights the fusion of Jazz, Progressive, and Heavy Metal elements in their band, making their music like a rich and diverse buffet, satisfying various musical preferences. Aditya enquires about the personal and professional dynamic between Mark and Mohini. Mark starts by mentioning that Gino might be better suited to answer the question, but he proceeds to explain how their collaboration feels like a family band. They have love and respect for each other and collectively work towards their shared goal of creating excellent music. Mohini emphasises the importance of effective communication and how they make decisions as a team. She shares that they constantly push each other to improve and explore new ideas. Mark adds that each member brings their individual strengths to the table, creating a dynamic where they complement and inspire one another. Lydian chimes in to discuss his experience during an earlier interview where AR Rahman asked him if he was into gaming and if he knew about PlayStation. He admits that at the time, he was more focused on music and didn't know much about gaming. However, now he plays some video games occasionally, mostly sports-related ones like badminton with his father. Lydian shares his inspirations, which come from listening to new music and discovering young musicians who play instruments incredibly well. He mentions watching YouTube videos of child prodigies and being motivated by their talent. Aditya asks the band members about their approach to making music for the audience and expressing emotions through their notes and compositions. Mark explains that their songs are dynamic, with fluctuating tempos and harmonies, taking the audience on a journey through different feelings and emotions. They aim to create an eclectic set of music that can appeal to various audience preferences. Mohini mentions how, as an influencer, she considers the audience's preferences when planning the show's setlist and overall presentation. She believes that having an understanding of different audiences from various countries helps them craft a show that resonates well with each crowd. She also reflects on her upbringing, which instilled in her the value of not getting carried away by success and staying grounded. Mohini, Mark, and Gino engage in a discussion about the balance between catering to the audience's preferences and staying true to their artistic vision. They emphasise the importance of enjoying the music they create themselves as the first audience. They also acknowledge that it's impossible to please everyone and that criticisms should be taken lightly. Mark highlights the significance of striking a healthy balance between improvisation and form in their performances, allowing different audience members to enjoy different aspects of the show. They agree that they're not here to prove anything and that their primary goal is to have fun and share their joy of playing music with the audience. Aditya asks about the correlation between different geographical environments with regard to Mark Hartsuch's career in music. Mark shares that he feels fortunate to have travelled the world and played music he is passionate about, particularly projects that involve improvisation in various styles like jazz, rock, and fusion. He expresses gratitude for playing with talented musicians like Mohini Dey and others in India. Aditya then inquires about the role of spirituality in MaMoGi’s music. Mark begins to answer, stating that choosing a career in music is not always practical and that one must have belief in oneself and the music they are putting out. He mentions that spirituality is a personal belief system and, for him, involves having faith in the music they create and their band's capabilities. Mark also emphasises that they aim to bring something special and authentic to the musical landscape. Mohini Dey and Gino Banks share their perspectives on spirituality in music. Mohini shares her journey from being brought up in a religious environment to discovering her happiness and purpose in music. She finds spirituality in music, feeling grounded and connected to herself when playing her instrument. Gino adds that being a good person is not a prerequisite for making good music, but being honest and genuine in one's artistic expression is crucial. In a symphony of wisdom and passion, these musical maestros delved into the mystical realms of spirituality and their influence on their enchanting compositions. Lydian, the youngest virtuoso, unveiled his devotion to music, blending tradition with contemporary flair. Mark, the harmonious sage, emphasised the deeper connection between spirituality and art, transcending religious confines. In a dazzling display of rapid-fire, they envisioned a future where traditional genres harmonise with electronic pop, forging a thriving music industry. Each heart-warming confession revealed the songs that stir their souls, from Beethoven's symphony to Cardi B's provocative beats. As their harmonies intertwined, they painted their dreams of a legacy etched in a musical tapestry. Lydian, the passionate pathfinder, yearned to be remembered as a true custodian of music's heritage. Mark, the prolific artist, sought a discography of endless creativity and collaborations. Mohini, the joyous muse, hoped to be remembered for her unique and soulful contributions. Gino, the versatile master, desired a legacy of harmony and camaraderie within the industry. With gratitude and optimism, they bid adieu, leaving melodies that echo through time. Their extraordinary insights and harmonious spirits will undoubtedly inspire generations to come, enriching the world with the gift of timeless music Apple Podcasts/Spotify/ Amazon Music/Google Podcasts & other major streaming platforms → Youtube → https://www.adiveera.com/podcast/petebellotte monthly 0.5 2023-08-06 https://images.squarespace-cdn.com/content/v1/6284029e49f1dd700faf8856/91596f15-bbb5-4cbd-8dd9-1f4387894904/Pete+Bellotte_Ellie+Bellotte_London_Paul+Griffiths+Photography-12.JPG Podcast - Steps Of Stardust with Pete Bellotte: “Beyond the Mirrorball” - In Stalwarts of Music Season 1, yet another remarkable journey unfolds as Aditya Veera interviews the renowned record producer and songwriter, Pete Bellotte. From Pete's modest beginnings to his illustrious collaborations, the conversation takes us on a captivating ride through his life in the industry. Pete's musical talent was discovered at a young age, inspired by his mother's melodic voice and her innate ability to remember every song's lyrics. His fascination led him to teach himself guitar, facing the challenge of learning chords upside down as a left-handed player. Formal training was not on Pete's path; instead, he found himself absorbed in absorbing music by playing with a band and learning the latest hits. Elvis Presley and the rock and roll era were instrumental in shaping his early influences, sparking a revolutionary shift in music. Motivated by the sheer joy of creation, Pete delves into his creative process and the happiness musicians experience when they touch their instruments. He fondly reminisces about his collaboration with Donna Summer, especially the magic they created together in the iconic song "Hot Stuff," which featured a groundbreaking guitar solo by Jeff Baxter. Giorgio Moroder, a successful musician, became a significant figure in Pete's life. Their partnership began when Pete, struggling to find a job, became Giorgio's assistant. Together, they worked tirelessly in the studio, pouring their hearts and souls into their music. Disco became their domain, and they revelled in the joy it brought to people's lives. Their enduring collaboration led to unforgettable hits, such as "Son of My Father," which catapulted Pete's career to new heights. Their shared passion for music and unwavering dedication to quality over quantity created an environment where creativity thrived. Pete also reflects on Giorgio's driving skills, recounting their trips in the Ferrari Dino to Italy. Despite Giorgio's struggles with poor eyesight, they embarked on fast drives, blissfully unaware of the risks they were taking. Donna Summer, an incredible singer and dear friend of Pete, left an indelible mark on his career. Their collaboration on songs like "MacArthur Park" showcased Donna's unparalleled vocal talent. Pete vividly recalls recording the song with a massive orchestra at Universal Studios, which became their first number-one hit together. In the realm of music, their partnership stood strong, transcending boundaries and leaving an everlasting legacy in the annals of music history. Pete cherishes the enduring bond and camaraderie they shared, a connection that went beyond the studio walls. As the interview concludes, Aditya expresses his gratitude to Pete for sharing his wisdom and extends an invitation for him to visit India. Pete graciously bids farewell, leaving behind an enduring impression with his genuine passion and love for music, along with his remarkable collaborations with Giorgio Moroder, Donna Summer, and other memorable adventures. Apple Podcasts/Spotify/ Amazon Music/Google Podcasts & other major streaming platforms → Youtube → https://www.adiveera.com/podcast/paulgilbertandmohinidey monthly 0.5 2023-07-11 https://images.squarespace-cdn.com/content/v1/6284029e49f1dd700faf8856/916ad0ff-dbd6-457e-b0d3-24a14370d218/WhatsApp+Image+2023-05-27+at+11.05.46+AM.jpeg Podcast - "Harmonious Tales: Musical Odyssey Unveiled Through Laughter, Camaraderie, and Mishaps"– Paul Gilbert & Mohini Dey - Paul Gilbert, a legendary guitarist and musical maestro, has left an indelible mark on the world of music with his extraordinary talent and exceptional achievements. From his early days as a member of Racer-X to his iconic role in the band Mr Big, Paul's virtuosity and unique style have captivated audiences worldwide. With lightning-fast fingers and unmatched technical proficiency, Paul's guitar playing transcends genres, effortlessly traversing the realms of rock, blues, and fusion. His melodic sensibility and innovative approach to composition have redefined the boundaries of guitar music, earning him accolades and admiration from fellow musicians and fans alike. Special Guest Mohini Dey, a prodigious musician, has carved her name in the annals of music with her awe-inspiring talent and remarkable achievements. From a young age, her virtuosity on the bass guitar left audiences spellbound, earning her recognition as a musical prodigy. With her mesmerising performances and incredible technical prowess, she quickly rose to prominence in the music industry. In a captivating conversation with Aditya Veera, the renowned musician and guitarist Paul Gilbert takes us on a mesmerising journey through his musical odyssey. As they delve into the early experiences that sparked Paul's imagination, their dialogue becomes a tapestry of creativity, exploration, and heartfelt storytelling. Born in 1966, Paul Gilbert grew up in a household that reverberated with the melodies of rock, pop, classical compositions, and soulful blues. The collection of vinyl records in his family's possession became his gateway to the vast musical landscape of the time. The iconic sounds of The Beatles, The Rolling Stones, The Who, and The Animals adorned their shelves, complemented by the timeless compositions of Bach, Mozart, and Beethoven. The captivating blues performances by Muddy Waters, John Lee Hooker, and B.B. King further enriched his musical palette. Amidst this eclectic musical environment, Paul's uncle emerged as a pivotal figure in shaping his artistic journey. Though their encounters were infrequent, Paul was captivated by his uncle's guitar prowess and the effortless melodies he coaxed from the instrument. Through these intimate moments, Paul discovered the essence of music—it's raw energy, passion, and emotive power that make a guitar truly sing. Aditya Veera astutely observes the presence of music in Paul's family, an observation Paul readily acknowledges. He attributes his uncle's influence as a primary source of inspiration, as his uncle embodied the authentic rock feel that Paul aspired to capture. While Paul later received formal guitar lessons that explored scales, chords, and theory, it was the visceral experience with his uncle that anchored him in the true essence of music. Aditya delves deeper, questioning whether having music in one's blood is a prerequisite for making or learning music. Paul dismisses this notion by sharing the story of his friend, a talented musician from a non-musical family. Despite the lack of family support, his friend defied the odds and dedicated himself to music, eventually becoming a professional musician. This anecdote serves as a testament to the transformative power of passion, dedication, and love for music, which can transcend any inherent predispositions. Shifting gears, Aditya asks about the impetus and catalyst behind Paul's composition process. Recognising Paul's prolific career as both a solo artist and a member of prominent bands like Racer-X and Mr Big, Aditya seeks to understand what drives him to create music based on specific themes. Paul reflects on the creative process, describing it as an internal calling—an innate need to express himself through music. The themes that emerge in his compositions often spring forth organically, inspired by personal experiences, emotions, or a desire to explore particular musical styles. Fueled by this inner drive and coupled with his exceptional guitar skills, Paul has produced a vast discography, collaborating with notable artists and continuously pushing the boundaries of his craft. As the conversation unfolds, Mohini Dey, a renowned musician in her own right, joins the dialogue, infusing the room with a surge of energy. The trio's synergy ignites a spark of creativity and curiosity as they dive into light-hearted inquiries and playful banter. Mohini, known for her inquisitive spirit, initiates a light-hearted query, encouraging Paul to reveal the most unusual piece of gear he currently owns. In a display of vulnerability and humour, Paul discloses his secret weapon—liquid tape. With vivid descriptions, he paints a comical picture of this smelly and unsightly substance he applies to his guitar picks to improve grip and prevent slipping. Playfully sharing his experiments with the number of coats, Paul reveals that the process tarnishes the appearance of his custom-designed picks but enhances his performance. The conversation takes an intriguing turn as Mohini inquires about the role of music in Paul's daily life. Paul, an ardent and passionate musician, reveals that music permeates his thoughts constantly. From his childhood days of having music playing in the background to his present state, where he relies more on the music in his head due to hearing loss, Paul's mind is a symphony of melodies. He shares the enriching experience of developing the ability to hear music internally and not relying solely on external monitors during performances. This deep connection with music transcends time and space, shaping his every moment. The conversation takes a light-hearted turn as prompts prompt the trio to share their most embarrassing on-stage moments. Paul, seizing the opportunity, recounts a hilarious incident during a guitar solo. In an unexpected twist of fate, a drill bit prop he used became entangled in his long hair, creating an uproarious spectacle for a large audience. The room fills with laughter as Paul's animated storytelling transports everyone into that unforgettable moment where he turned an embarrassing mishap into a memorable experience. Mohini, with a mischievous glint in her eye, shares her own tale of on-stage mishaps. Dressed in a glamorous ball gown, she encountered a wardrobe malfunction as her dress got entangled on a staircase. Rather than succumbing to embarrassment, she transformed the mishap into an impromptu performance, showcasing her versatility and ability to adapt to any situation. And just when you think the hilarity has reached its peak, she reveals yet another incident involving chewing gum that found its way into her hair during an AR Rahman show, leaving her in a sticky predicament. Laughter, anecdotes, and playful camaraderie fill the room as Aditya Veera, Paul Gilbert, and Mohini Dey share their experiences, quirks, and genuine love for music. Through their tales of embarrassing moments and gear experiments, they humanise the world of music, reminding us that even the most accomplished musicians have their fair share of humorous mishaps. Their conversation serves as a testament to the unifying power of music, transcending boundaries and bringing people together from different walks of life. As the conversation draws to a close, the room brims with a sense of joy and gratitude. Aditya, Paul, and Mohini express their heartfelt appreciation for the opportunity to connect and share their experiences. Their laughter and camaraderie resonate, reminding us that music is not solely about technical proficiency and accolades—it is about the genuine connections, shared experiences, and joyful moments that make music a universal language. Apple Podcasts/Spotify/ Amazon Music/Google Podcasts & other major streaming platforms → Youtube → https://www.adiveera.com/podcast/garyhusbandandamytdatta monthly 0.5 2023-05-27 https://images.squarespace-cdn.com/content/v1/6284029e49f1dd700faf8856/2d367582-6175-4d6a-b164-da49d39665d4/WhatsApp+Image+2023-05-10+at+6.32.55+PM.jpeg Podcast - "Harmonising Personal Evolution and Musical Inspiration: An Ethos of Creativity and Dedication in Music"– Gary Husband & Amyt Datta - Gary Husband is a renowned jazz fusion drummer, pianist, and composer. He has played with numerous notable musicians and bands, including Allan Holdsworth, Jeff Beck, John McLaughlin, Robin Trower, Level 42, and his own Gary Husband Quintet. He has also released several solo albums and received critical acclaim for his work as a musician and composer. Amyt Datta is an Indian guitarist known for his pioneering work in the fusion music scene. He is the founder of the influential Indian fusion band Skinny Alley and has also played with other notable Indian musicians and bands such as PINKNOISE and Shiva. Amyt is considered one of the most innovative and influential guitarists in India and has won several awards for his contributions to Indian music. He is also a respected music educator and has conducted workshops and masterclasses at various music institutes around the world. Music has always been an enigma to those who are passionate about it. It has the ability to evoke emotions, connect people, and create lasting moments that transcend time and space. In a conversation between Aditya Veera and the legendary musician Gary Husband, the topic of the role of personal qualities in creating great music was discussed. Gary Husband emphasised the importance of a musician's level of evolution and their ability to realise their inspirations and imaginations. He believes that the intent behind the music and the values cultivated by the individual greatly influence the impact of their music. In his personal approach to music, Gary emphasises spontaneity and flow over strict notation or transcription. He desires to be inspired by other musicians rather than simply copying their techniques or styles. Gary believes that music has the power to create blissful moments that are subjective and vary from person to person. He shared an anecdote about a movie that moved him deeply and made him realise the power of music to create lasting moments. He believes that music can be provocative and inspirational, and if it can evoke emotions in listeners, it is a success. The intent behind the music is to connect with people and leave a lasting impact, regardless of the emotion it evokes. Gary admits to taking inspiration from other musicians but not necessarily imitating them. He believes that imitating another musician can help in finding one's own voice and sound, but it is not the same as copying them. He mentioned his brother's friendship with guitarist Alan Holdsworth, who transcribed a Charlie Christian solo, and how it switched the light on for him. The tools given to him by these great masters are a way of thinking and achieving the same kind of effect without copying them. When asked about the difference between virtuosity and genius, Gary responded by saying that he doesn't see himself as a virtuoso or a great master but rather as an eternal student. He believes that every day is a blessing and an opportunity to invent and create. He draws inspiration from his surroundings and experiences, allowing these influences to infiltrate his music. He thinks that it's healthy to be influenced by different types of music and to incorporate those influences into one's playing. Special Guest Amyt Datta expressed admiration for Gary Husband's skills as a pianist and drummer and asked how he manages to excel at both. Gary explained that the relationship between the two instruments is like two halves of one whole, and he has developed a physical ability to switch between them. He internalises the rhythm until it becomes a natural flow, like muscle memory. He believes rhythm is a flow and that it is implanted in one's body. Gary thinks that working hard is the key to reaching one's goals. Gary's teachings are more motivational and philosophical than technical. He tries to channel his influences, like Elvin Jones, into his teachings. He believes that drum transcriptions are an excellent way to develop one's rhythm. He suggests using two metronomes to develop a good feel with other musicians. By finding a relative tempo for an odd time signature and synchronising it, he creates a relaxed groove. He suggests finding an interesting subdivision to work off of the other tempo. In conclusion, Gary Husband's approach to music is one of constant evolution and inspiration. He believes that personal qualities, intent, and values are essential to creating great music. His ability to switch between instruments and incorporate different influences into his playing is a testament to his dedication and hard work. Gary's teachings are not only technical but also motivational and philosophical, encouraging aspiring musicians to find their own voice and sound while still drawing inspiration from the masters. In the end, music is a journey of self-discovery, and Gary Husband's approach to it is one of humility, creativity, and dedication. Apple Podcasts/Spotify/ Amazon Music/Google Podcasts & other major streaming platforms → Youtube → https://www.adiveera.com/podcast/mindiabair monthly 0.5 2023-05-10 https://images.squarespace-cdn.com/content/v1/6284029e49f1dd700faf8856/3a436406-2bb4-4baa-9f6d-d7f9aea1260b/Mindi+Abair.png Podcast - "A Great Mix of Integrity and Authenticity."– Mindi Abair - "Every day seems like a vacation when you follow your passion." Mindi Abair is probably the best example to support this quote. She is a songwriter, radio host, podcaster, session artist, recording artist, singer, and, most importantly, a saxophonist. Coming from a musical background, she has always been driven toward music. "I started playing the piano at the age of five," she reveals. Describing her journey as a saxophonist, she said that she was never used to playing the saxophone until college but loved watching her father perform. The turning point in her life was when she attended a concert by David Sanborn. Her passion and ambition for playing the saxophone could have been seen in her statements. "I feel that the saxophone is an extension of my voice; I can whisper and scream through this instrument," she stated with a spark in her eyes. When asked about her ability to manage so many fields and areas together, she gave special credit to the ANR person who motivated her to bring out a different personality within her. Mindi has been associated with Verve Records, a subsidiary of the Universal Music Group. She believes that it was quite fun working with them, but launching her album is something that she has always dreamt of. Her take on judging the music or a song to be good seemed unique and amazing. "It is the connection between the audience and the artist." "If the audience is connected and enjoys it, and a relationship has been formed, then the music is a success," she said. She looks up to Beth Hart and David Sanborn as her role models. The energy and the zeal they put into their work are commendable. Her take on discovering the best interests of a person is to trust the music which sets inspiration for you. Supporting this argument she shared an anecdote from her college days where the music teachers used to put more emphasis on contemporary jazz rather than traditional music. But she always trusted her interests and chased the things which inspired her the most. The conversation picked up the pace when asked about her album, "Forever." She dedicated the first track to her husband, who is a wine guy. She chuckled and said "starting track of wine and jazz as it seems to be quite relatable to our life" She seemed to be quite passionate about her newly launched album, "Forever." "I collaborated with my friends from college and some other people," she shared. Her taste in music seemed quite real and grounded when she mentioned that "I prefer writing songs related to life and beliefs." In this tech-driven society where digital marketing is ruling the internet, Mindi seemed to be less influenced by technology and marketing tactics. The audience carries the ultimate power. "As artists, the major focus should be to make the music more and more inspiring, as it plays a key role irrespective of just promoting" she stated. Mindi has also been a trustee for a decade at the Recording Academy. When asked about the purpose and cause she was associated with, She shared that she was a part of laying and leading a path for women to become a part of the music industry and supporting young talents to learn the art of music. She mentioned some anecdotes while touring as a session musician for Aerosmith. "It was just a once-in-a-lifetime experience; you want to be there and live it out." "It was so much fun and indeed an incredible experience." She shared. While mentioning her experiences with Steven Tyler, she said that he is a rock and roll star, so much fun, and filled with enthusiasm and energy. Steven pushes the artists to be an active part of the band, and she finds him to be quite an amazing human being. Mindi has also contributed her talent to some of the movies. Her experience in movies has been similar to that of the original albums, except for the fact that a vibe and a feel have to be created to synchronise with the movie. In the final segment, the rapid-fire Mindi told me that a song that makes her cry is "I will always love you" written by Dolly Parton. When asked about her favourite cuisine, "Indian," she answered with great excitement. The concluding question, "What do you want to be remembered as?" Mindi’s answer showcased what an amazing human and soul she is. "I would like to be remembered as someone who left the world a better place than I found it, and I feel that we all can do it in different ways; my form is music." I hope that I will be remembered as someone who is loving, caring, and respectful. "I believe that through music I can uplift people’s lives and make them a little better." She responded quite gracefully. Apple Podcasts/Spotify/ Amazon Music/Google Podcasts & other major streaming platforms → Youtube → https://www.adiveera.com/podcast/mutlu monthly 0.5 2023-01-12 https://images.squarespace-cdn.com/content/v1/6284029e49f1dd700faf8856/2b2342d3-01fd-4f59-9ff0-788242e06d12/IMG_2511.jpg Podcast - "Music is the force that can break through the "us and them" mentality."– Mutlu Every artist has their first introduction to their passion. When asked about his first encounter with music, Mutlu chose to travel back to his childhood and share how he used to listen to classical music and play the violin as a child. Moving forward, he shared that he had resisted playing the violin as a child because his parents wanted him to do that. Mutlu is a self-taught artist. He taught himself guitar by practising with records and notes taught to him by his friends in college. Mutlu also discussed criticism as an artist. He started by distinguishing between criticism and mean-spirited criticism. He also stated that artists look for validation. Mutlu says that he is fond of deep conversation about music, which he practises in his podcast and which opens him to new records, artists, and a feeling of being part of a community away from mean-spiritedness. He says that the best part of having guests on his podcast is getting to learn more about and relate to the other artists and their struggles. On being asked about how an idea becomes a song, the Philadelphia-based songwriter replied that there are a number of ways. Sometimes an existing idea takes a while to ripen into a song, whereas some songs can just be put together in 15–20 minutes. It is never a static or definite process. Regarding the presence of deadlines, the singer has a fair perspective. He says that sometimes deadlines help the writer frame his work better. It also depends on the situation and the environment one works in. Ever wonder what inspires a composer to write a song? Well, Mutlu voiced his opinion on this after being asked one such question, saying that first and foremost it's a personal thing. According to him, a composer first starts to write a song to express himself or herself, and then they look forward to making something that is relatable. The composer and singer also shared a preview of his upcoming album, which will be released next year. He also talked about losing himself in the song while performing. "The more I am thinking, the less the vibe is happening." And art connects and brings together not just the audience but also the artists. The songwriter talks about having a "musical brotherhood" with one of the most well-known names in music, Amos Lee. Mutlu expresses how the need to commercialise art takes a toll on the creative edge of an artist. He also calls art and commerce two different things that often clash, and an artist is needed to balance them. In the conversation with Aditya Veera, the remarkable artist shared how a lot of people discovered him as an artist after his collaboration with Daryl Hall on the Daryl's House Club Show. "Creating a career out of an art form or commercialising it is a challenge for artists," says Mutlu as an artist. He talked about how the whole process of accessing a record has changed from buying it from a store to a click of a finger with the intervention of technology, whereas the hard work behind preparing it is almost the same as earlier. In this dynamic world of newly emerging forms of assets and art, Mutlu finds himself digitally unfamiliar when it comes to NFTs, but he believes that there is always room to learn. When asked what keeps him going, the vivacious artist says it is always the journey rather than the goal. He looks forward to building an audience. The thing that drives him is performing in front of a huge audience, creating connections, and adding value to their lives. Mutlu also looks forward to building a loyal community that has longevity as a future prospect in this world that is producing new art and artists every day. According to the artist, good and quality songs always find their way. The Philadelphia-based artist loves getting applauded by people whom he admires and who are already well-established names in the industry. He believes that music is the force that can break through the "us and them" mentality. Apple Podcasts/Spotify/ Amazon Music/Google Podcasts & other major streaming platforms → Youtube → https://www.adiveera.com/podcast/ericgales monthly 0.5 2023-01-10 https://images.squarespace-cdn.com/content/v1/6284029e49f1dd700faf8856/3681c6ee-43de-404f-a2e6-43faeaa13253/eric+gales.jpg Podcast - “The beauty of being a musician is that the only musician you can be is you.” – Eric Gales The undisputed king of electric blues guitar breaks down the genres and sources of inspiration for his most recent album, a tour de force aptly titled Crown, which was produced by Joe Bonamassa. a blues firebrand, Eric Gales. Even as his own light dimmed as a result of his struggles with substance abuse over the course of 30 years and 18 albums, his passion for music and his unwavering determination to keep it alive never wavered. With personal revelations in his lyrics and daring stylistic turns in both his guitar playing and songwriting, he never stopped reviving the genre. Gales was hailed as a child prodigy and "the next Jimi Hendrix" because of his unique playing style and emotionally raw music and personality. Singers like Jimi Hendrix, Albert King, etc. have a very strong spell over him, and time stops when he listens to their songs. "I feel blessed to be a part of their legacy." Gales had his share of hardships in his career, and gratitude is the by-product. "From signing a record deal to flying to New York to sign another deal, everything was exciting, but going on tour for the first time was the aha moment of my life." At the beginning of his career, he only focused on playing, as he had the great support of his elder brother; eventually, he learned to step into responsibility and take charge. But he says "the presentation of himself on a stage is a form of discipline for me." This year, in January, Eric Gales' latest album, "Crown," was released in collaboration with Joe Bonamassa and Josh Smith, and it is by far his best new record. Contributions by Joe Bonamassa and Josh Smith were not small, as they brought their A-game to the whole album, according to Eric Gales. Gales feels he is free, and that is what his music signifies; he integrates his life and music, which his new album also represents. "I trust the process of what it is, then I tap into it and see what it allows me to do and the end results, who and how it goes to, and where it goes; it is sort of my responsibility but not my concern." Gales believes that music is just like a flow in his body, and he is not in control of how or where it comes from. His approach to music and life is emotionally raw and untouchable. Feeling connected to his maker and being grateful for the life and abilities he has been gifted are definitely the keys to Gales’ approach to life. "A black man who struggled but tried to live at peace with his days." He wants to be remembered. The future still seems bright as the sun for Gales. His plans extend beyond the Crown, as visits and preparations for next year are moving at a fast pace. "Getting the Eric Gales brand on and getting it moving," as he says. Apple Podcasts/Spotify/ Amazon Music/Google Podcasts & other major streaming platforms → Youtube → https://www.adiveera.com/podcast/julianlage monthly 0.5 2022-11-30 https://images.squarespace-cdn.com/content/v1/6284029e49f1dd700faf8856/503d1e0d-cb4d-4e70-9aca-f8330bb52b60/julian+lange_.jpg Podcast - “Jules at 34.” – Julian Lage Julian Lage opens up this conversation by speaking about being the primary subject of the 1996 documentary, "Jules at Eight." He describes the human tendency to lack perspective while being the centre of attention. He comes from an artistic household in an era where there was less pressure compared to the present times. Julian’s nurturing involved a lot of support from his parents and teachers, along with his own impulse to get better at his craft. He describes music as nurturing, healing, and a spiritual wonder of the world. His idea of aesthetics comes from tremendous curiosity. Julian’s curiosity has driven him to get a fair understanding of anatomy and techniques like the Alexander Technique and Feldenkrais. Julian signed with the prestigious Blue Note Records, led by Don Was. The Blue Note fraternity strongly believes in the sense of community and fraternity provided by other Cleveland leaders for several generations. Julian quotes: "There is a tremendous sense of intelligence that is passed on from human to human in music." He can be seen dancing with the instrument with a tremendous sense of movement. Having studied sitar and tabla at the Ali Akbar School of Music, Julian finally got a chance to channel all of his sensibilities in his collaboration with Ustad Zakir Hussain and Charles Lloyd. Julian concludes the interview by making the statement that this has by far been one of the best interviews he has been a part of. Be sure to check it out. Apple Podcasts/Spotify/ Amazon Music/Google Podcasts & other major streaming platforms → Youtube → https://www.adiveera.com/podcast/davidpaich monthly 0.5 2022-11-20 https://images.squarespace-cdn.com/content/v1/6284029e49f1dd700faf8856/0ff76cd9-7c56-4592-93e5-d112f60d311c/WhatsApp+Image+2022-10-23+at+5.00.32+PM.jpeg Podcast - “Enjoy the round-robin of different aspects of music.” – David Paich Catch David Paich, who is a multi-Grammy and Emmy Award-winning artist and is best known as a co-founder of the legendary band Toto, tuning in from Santa Barbara, California. He casts light on the things required for a potential singer-songwriter and emphasises the need for good melody at the top of his list. Further, he reveals that the key to success is constant practice and training. Talking about the creative impulse, song inspirations can be drawn from the shower, while driving a car, or even while walking down the street. From talking about the importance of science and technology ( Quincy’s ideology) in music to the importance of the theme of love in the music business, this conversation takes a serious note when David Paich talks about the hardships he faced. The icing on the cake is when David speaks about coining Toto's "Hydra" album based on Leonard Cohen's work. Other interesting anecdotes from his time with Michael Jackson and Sir Paul McCartney are major highlights of this interview. David also puts forward the amazing thought that real beautiful songs require a beautiful melody, to begin with. Apple Podcasts/Spotify/ Amazon Music/Google Podcasts & other major streaming platforms → Facebook Interview Link (Audio/ Video Format) → https://www.adiveera.com/podcast/jojomayer monthly 0.5 2022-11-08 https://images.squarespace-cdn.com/content/v1/6284029e49f1dd700faf8856/8bd9ce63-e706-484b-b249-48c8b11a05ac/jojo+1.jpg Podcast - “Improvisation is empowering.” – Jojo Mayer Do you ever wonder how important an artist is to this world? We cannot really define it in words, but Jojo Mayer is here to beautifully illustrate how artists open the door to a new understanding, pushing people towards a new future and facilitating discoveries. He broke out into the professional music space at the age of 18 by joining the Monty Alexander Group. He toured with several other groups that launched him onto the major jazz music scene. Jojo is also known to blend in so many different styles of music, ranging from jazz to drum and bass. His signature style is called "Jungle," which is a culmination of all of these influences. The inspiration and ideas behind Jojo Mayer's Nerve, the electronica trio, are brought to light in this podcast. It is about humans imitating the idiosyncrasies of machines. Furthermore, he continues to share some insights about his upcoming project, which will be launched in Paris. Jojo discusses the impact of major obstacles such as climate change, global warming, and others, for which society must find solutions and adjust in order to achieve certain goals. These obstacles have a profound effect on the future of the way we live and the way we perceive art, life, and music as well. Participate in this fascinating conversation in which Jojo Mayer advises musicians on how to bring out their individualities, his creative process, and his fascination with animals, particularly reptiles. Apple Podcasts/Spotify/ Amazon Music/Google Podcasts & other major streaming platforms → Youtube →. https://www.adiveera.com/podcast/victoriacanal monthly 0.5 2022-10-20 https://images.squarespace-cdn.com/content/v1/6284029e49f1dd700faf8856/8252c060-c60f-4b9e-b258-6ee1a1be78ce/305833815_10222752295901913_4567388173897028893_n.jpeg Podcast - Victoria Canal on being A proud “third culture kid.” Having released her all-new EP, Elegy, Victoria Canal speaks about her first ever release under a major label, which is completely self-produced by her. Interestingly, she squeezed in time for this interview in the middle of shopping for her international tour. She is all set to play a run of international tours in Dublin, Paris, New York, Los Angeles, and more. Victoria describes her earliest musical memory as learning piano from her grandma during her summer vacations. Some of the most gratifying moments of her life were when she surrounded herself with people who made her discover things about herself and about the world. She emphasises the fact that every human needs a place to put their suffering in different forms, either through work or their relationships. It could show up in any form, either in the form of paintings or songs that let us channel it. She stands by the concept of having artist communities wherein fellow musicians mutually support each other and believe in the act of Karma and harnessing good vibes. Victoria speaks about meeting Stevie Wonder and her "Red Carpet" moment. Last but not least, she wants to be remembered as someone who meant a lot to a few people. Apple Podcasts → Youtube →. https://www.adiveera.com/podcast/tanyacallaghan monthly 0.5 2022-10-02 https://images.squarespace-cdn.com/content/v1/6284029e49f1dd700faf8856/a8e96823-a301-41fa-9069-7ff072e279fb/WhatsApp+Image+2022-09-30+at+4.07.01+PM.jpeg Podcast - Tanya Callaghan on Being a Good Samaritan Listen in as Tanya Callaghan breaks the ice about her debut Whitesnake tour in her motherland (Ireland). She had fit in just right, finding her place in the Whitesnake legacy as the first-ever female musician to play in the band. She speaks about her first big break in her career while at L.A., which was with Maynard Keenan of Tool. It wasn’t a smooth sail for her when she started out, especially since the music industry is one that involves a lot of networking and building relationships, and it took her nearly 3 years to settle in. Post, in which she played with Dee Snider of Twisted Sister, Stephen Adler of Guns and Roses, and many more. She is also an equally passionate wildlife activist and runs a show along with Derrick from Sepultura that focuses on a plethora of topics, with plant-based food being one of their major focus areas. Some of her spiritual techniques involve meditation and yoga. She likes to make a statement on stage and appears to be a flamboyant musician who stands out. Tanya would like to be remembered for at least trying to make the planet a better place and opening people’s minds and hearts a little more. Apple Podcasts → Youtube →. https://www.adiveera.com/podcast/melaniefaye monthly 0.5 2022-09-30 https://images.squarespace-cdn.com/content/v1/6284029e49f1dd700faf8856/7949a061-4282-4c33-99f5-6f5463adf3a6/Screenshot+2022-09-25+at+8.33.25+PM.png Podcast - “I think everyone has to take a look in the mirror if they want to change and everyone has to be the change.” - Melanie Faye Melanie speaks about creating her own signature style of teaching music. However, a lot of it was derived from her learning. She describes her teaching style as "pretty". Her musical journey is not driven by a destination; she gives more emphasis to the journey and how enriching the entire experience is. Her philanthropic concerns include eradicating homelessness, and she intends to work toward the cause. Melanie is a musician who has been up to date with social media trends and has adapted well in terms of content creation for people with short attention spans. She is currently offering an R&B Guitar Masterclass programme that caters to intermediate guitar players, which is a collaboration with Pickup Music. Her online Neo-Soul Bootcamp has content for 160 hours that one could sign up for. Her opening set with Marc De Marco at the Hollywood Palladium stood out for her in terms of touring anecdotes. She is working towards an all-new EP that covers a whole range of sophisticated R&B music. Her spiritual techniques involve mediation and working out. Above everything, she wants to be remembered as a sweet, caring person who puts out good vibes to the universe. Apple Podcasts → Youtube →. https://www.adiveera.com/podcast/richardbona monthly 0.5 2022-10-22 https://images.squarespace-cdn.com/content/v1/6284029e49f1dd700faf8856/4fa6c8c9-6a10-4a6b-8735-b4eaf5104712/WhatsApp+Image+2022-09-13+at+1.06.58+AM.jpeg Podcast - Richard Bona on being a self-made realist Richard Bona hails from the remotest part of Cameroon, from a village called Minta. His mother , grandfather, and great-uncles used to be musicians, keeping their African culture and traditions alive. At the age of 3, he discovered his love for music through the balaphone. His financial condition made him climb a tree and make his own instruments. He describes Minta’s environment, which made him do things as a sense of necessity that later developed into a long-lasting passion. During his teens, he left for Germany to study classical music and was in France for a bit sessioning as a bassist. He didn’t find true purpose in being labelled as just a bassist, as he was an equally good singer and a better percussionist. His true homecoming occurred in New York, where he landed his first official job as musical director for the legendary Harry Belafonte. This particular association gave him great exposure to the music business, winning his first record deal with Sony Music, and making him an organised musician by organising his messy guitar cables. Richard Bona was heavily influenced by the one and only Jaco Pastorius and is someone who prefers human emotion over technical virtuosity any day. He likes to add his own colour and originality to his artistic expression. He never wants to be number one for the simple reason that he hates going downhill and would like to remain a student of music. He also speaks about his new entry into the Afro-Beat music space. Apple Podcasts/Spotify/ Amazon Music/Google Podcasts & other major streaming platforms → Youtube →. https://www.adiveera.com/podcast/nathaneast monthly 0.5 2022-09-12 https://images.squarespace-cdn.com/content/v1/6284029e49f1dd700faf8856/30f29747-7d92-4dc7-b87b-f1449942715b/WhatsApp+Image+2022-08-27+at+12.32.23+AM.jpeg Podcast - "Music is a very mysterious art form where one cannot touch or put it inside a bottle; the beauty lies in how it touches the human soul." - Nathan East UC San Diego is where it all started for Nathan East, under the mentorship of Bert Turetzky and Cecil Lytle. Nathan describes his mentors as not just musical colleagues; they were more like friends and family to him, helping nurture a very successful musical career. He also narrates the environment that he grew up in, which was essentially a huge family, where his brothers and sisters would get together and play music, and there was hardly a dull moment at home. Back in the day, there was a lot of Motown, Earth, Wind and Fire, and Beatles playing in the neighbourhood, and this is the spirit which he carries with him to this very day. His take on perfection is to let the heart sing and dictate over technical virtuosity, and it is quite blissful when the music can penetrate through one’s soul. He likes to believe that there is no prediction mechanism when it comes to reception by an audience. His musicality has evolved being associated with some of the industry greats for several decades now and Nathan puts in the same amount of energy into his musical process to this very day. Nathan has had quite a long association with “God Of Guitar” - Sir Eric Clapton, he speaks about meeting him on a couple of occasions before his debut collaboration with him on the album Behind the Sun. This particular brotherhood between Eric Clapton and Nathan East was written in the stars and is embarked in the history of Rock music. Apple Podcasts → Youtube →. https://www.adiveera.com/podcast/malinamoye monthly 0.5 2022-09-11 https://images.squarespace-cdn.com/content/v1/6284029e49f1dd700faf8856/9c97539e-711f-4a3f-bc45-7e1c52692e21/Malina+Moye+Poster.png Podcast - Malina Moye likes to lead by example. Growing up in an environment where her mom and dad played music together prompted Malina to pick up her passion for the guitar. She took up an unorthodox style of playing the instrument, which worked wonders for her. She leads by example, inspiring people to lead better lives and connect more. Malina emphasises the authenticity of music that gets transcended over decades and platforms. Her firm drive and complacency strive to leave a lasting impact on people through her music. Apple Podcasts → Youtube →. https://www.adiveera.com/podcast/paulcarrack monthly 0.5 2022-09-04 https://images.squarespace-cdn.com/content/v1/6284029e49f1dd700faf8856/2f8b8536-5d59-4829-878a-bf419bb15c0f/WhatsApp+Image+2022-08-23+at+9.41.04+AM.jpeg Podcast - “I have got a very simple mind but I innovate by expression.” - Paul Carrack Paul Carrack hails from an industrial city (Sheffield United ). He grew up in a working-class family with a lot of ups and downs, twists and turns. His humble beginnings taught him qualities such as resilience, determination, and the need to work hard. He is someone who believes in the genetics of musical gifts being passed on by his parents and was quite determined to develop that. Paul describes how difficult it is to maintain one’s voice. He quotes, "It can be wonderfully satisfying when your voice is in good form." He also shares some fascinating anecdotes, such as his contribution to The Eagles, being recognised by The Buddy Holly Foundation. Above all, he wants to be remembered as a good father by his children. Apple Podcasts → Youtube →. Shout Out Video → https://www.adiveera.com/podcast/marcominnemann monthly 0.5 2022-07-25 https://images.squarespace-cdn.com/content/v1/6284029e49f1dd700faf8856/7de252c8-2b53-472a-8ecb-e22fe294fed1/Insta+Post.png Podcast - ‘What you leave behind in the universe, will get resurrected.’ - Marco Minnemann Marco’s reputation as an extraordinarily talented drummer and composer has led him to perform with legends like Paul Gilbert, Eddie Johnson, Steven Wilson, The Buddy Rich Big Band and many more. Listen in as he talks about his recently-formed duo McStine & Minnemann alongside collaborator Randy McStine, the highly-anticipated release of his solo album, as well as new music from supergroup The Aristocrats. He also shares his insights on the ‘shelf-life’ of good music, cross-cultural influences, his future in the industry and about making sure music remains ‘progressive’. https://www.adiveera.com/podcast/shelea monthly 0.5 2022-07-23 https://images.squarespace-cdn.com/content/v1/6284029e49f1dd700faf8856/6cb3199f-952d-4544-b508-9a1e27445d3a/Shelea.png Podcast - Stalwarts Of Music with Aditya Veera ft. Sheléa In Conversation with @sheleamusic. Inspired by @nataliecoleofficial, she decided to step into her musical pursuit as a singer. She was mentored by the legendary #steviewonder and is a protégée of @quincyjones. Her 2014 track I’ll never let you go peaked 23 on the @billboardcharts. Her impeccable voca abilities invited her to @whitehouse to sing for The former president @barackobama and the First Lady @michelleobama. Her illustrious career has seen her work with producers like @officialjamandlewis and @davidfoster https://www.adiveera.com/podcast/jakeshimabukuro monthly 0.5 2022-08-08 https://images.squarespace-cdn.com/content/v1/6284029e49f1dd700faf8856/aa855f48-73fe-464c-96aa-c245b3c29e4e/WhatsApp+Image+2022-07-21+at+6.13.40+PM.jpeg Podcast - ‘Be a Good Person First and a Good Musician Second.’ - Jake Shimabukuro For the past decade, Jake Shimabukuro has been pushing the boundaries of what’s musically possible with the ukulele. Listen in as the ‘Jimi Hendrix of the Ukulele’ describes his new tour and the highly acclaimed album ‘Jake & Friends’---featuring collaborations with musical royalty like Willie Nelson, Bette Midler, Kenny Loggins, and Michael McDonald. He also talks about the evolution of music, spirituality, his journey from being a Youtube phenomenon to playing at the biggest venues in the world, inspiring others to take up the instrument—and how, even though he is world-renowned for his technical expertise, the ukulele is his constant reminder to ‘keep things simple’. https://www.adiveera.com/podcast/oteilburbridge monthly 0.5 2022-08-08 https://images.squarespace-cdn.com/content/v1/6284029e49f1dd700faf8856/af2c1288-73f0-4fe7-8e3a-f65b3f3001a4/WhatsApp+Image+2022-07-21+at+4.07.34+PM.jpeg Podcast - ‘Love is the most mystical thing of all.’ - Oteil Burbridge Two-time Grammy-winning bassist Oteil Burbridge lives up to the literal translation of his name—as a true ‘explorer’ of all things music. Aside from sharing the stage with blues, jazz and rock legends like Eric Clapton, Carlos Santana, Buddy Guy, and many more, he has also won the Grammy Lifetime Achievement Award as the longest-running bassist of the rock group The Allman Brothers Band. In this episode, he talks about his family, touring with the band, a special connection to India, and finding spirituality through the simplest practices—mentorship and love. He also gives a sneak peek into his musical ventures with Dead & Company while taking us through what it’s like teaching music with the Oteil Method and his music education app, the Ozone. https://www.adiveera.com/podcast/guthrie-govan-on-becoming-a-musician-in-an-unusual-way monthly 0.5 2022-11-30 https://images.squarespace-cdn.com/content/v1/6284029e49f1dd700faf8856/4adcd2c1-7c07-4ab9-95f5-b4de763f4f2c/Aditya-Podcast-Guthrie-02.png Podcast - Guthrie Govan on Becoming a Musician in an Unusual Way Prolific jazz-fusion and rock guitarist Guthrie Govan - also known for his collaborations with the bands The Aristocrats, GPS, The Young Punx, and very recently, two-time Oscar-winner Hans Zimmer - never had a game plan for his musical career. As a self-taught guitarist with the ability to play any song by ear, he always felt that music came naturally to him — it was the language he was born to speak. He talks about his early experiences transcribing for guitar magazines and teaching music, then discovering Indian Classical Music through Pandit Debashish Bhattacharya, and how he turned his ‘inner voice’ from being a distraction to his trusted guide throughout his musical journey. Apple Podcasts/Spotify/ Amazon Music/Google Podcasts & other major streaming platforms → Youtube → https://www.adiveera.com/podcast/bryan-beller-the-aristocrats-in-conversation-with-aditya-veera monthly 0.5 2022-08-09 https://images.squarespace-cdn.com/content/v1/6284029e49f1dd700faf8856/2c17dc55-1f7a-4d90-8f5b-4b21fc6fc548/Aditya-BryanBeller-02-02.png Podcast - ‘The uniqueness of an individual translates in the way they play.’ - Bryan Beller As a bassist and composer, Bryan Beller has had an illustrious musical career, not just for being part of rock/fusion super-trio The Aristocrats, but as a solo artist as well. Catch up with Bryan as he talks about working alongside fellow musicians and mentors like Joe Satriani, John Petrucci, Guthrie Govan, Mike Keneally, and many more—on featuring albums and world stages. He also shares touring anecdotes, stories from playing in India, insights on modern music, his journey mastering the bass, and the qualities he upholds as a musician, music educator and writer. https://www.adiveera.com/podcast/eric-johnson-in-conversation-with-aditya-veera monthly 0.5 2022-08-10 https://images.squarespace-cdn.com/content/v1/6284029e49f1dd700faf8856/29774eaf-b213-4dbf-bc39-3c7061bdeeef/Eric+Johnson.png Podcast - ‘Religions are beautiful things expounded upon by man.’ - Eric Johnson Eric Johnson speaks about having an early sensibility toward music from the age of three. Even after accomplishing several milestones in his rather illustrious career, he still calls himself a student of music with an endless learning spree. He speaks about enjoying the simple pleasures of music, right from travelling in a truck-playing music to doing it at any given place. Eric happens to be a highly disciplined individual whose spiritual beliefs aim at connecting to something very sublime and feels connected to a higher frequency. He describes the concept of religion as ‘beautiful things’ expounded upon by man. His affinity towards Indian music can be seen in his groundbreaking collaboration with Amit Chatterjee on the album Venus of Isle. His message for the people listening to this interview would be, "You are not what you do, you are who you are, and you do what you do." https://www.adiveera.com/podcast/jeff-scott-soto-in-conversation-with-aditya-veera monthly 0.5 2022-06-03 https://images.squarespace-cdn.com/content/v1/6284029e49f1dd700faf8856/1654256971074-14YZBUM1HHM2LK7RDEJH/stalwarts+in+music_jeff+scott+soto.jpg Podcast - Jeff Scott Soto In Conversation With Aditya Veera Host - Aditya Veera Guest - Jeff Scott Soto Audio/Video Production - Yashique Chalil Podcast Partners - Wire Up Music Store, Perpetual Buzz Graphics - Shreyscapes https://www.adiveera.com/podcast/simon-mcbride-guitarist-deep-purplesnakecharmerdon-airey-in-conversation-with-aditya-veera monthly 0.5 2022-07-21 https://images.squarespace-cdn.com/content/v1/6284029e49f1dd700faf8856/4acf2c5a-cca0-4cee-8ef4-3ca44e2d0cfe/164959770_10158622763534440_5105243718453837722_n.jpeg Podcast - Simon McBride ( Guitarist - Deep Purple/Snakecharmer/Don Airey) In Conversation with Aditya Veera In Conversation with Simon McBride on Friday (22nd April 2022) at 9:00 Am UK time, 1:30 Pm IST time. By the age of 15 Simon made it to @guitarist_mag (Guitarist of the year). Simon has toured the UK with @joesatriani and his album #crossingtheline topped the annual charts of @classicrockmag. He currently plays for @deeppurple_official and his all new record #thefighter is something you might want to listen to. Simon endorses @prsguitars and has played alongside @carlossantana and @therealbuddyguy https://www.adiveera.com/podcast/eric-martin-mr-big-in-conversation-with-aditya-veera monthly 0.5 2022-07-21 https://images.squarespace-cdn.com/content/v1/6284029e49f1dd700faf8856/0386844a-ffeb-4f01-84a9-2e1cbb5a9f44/Screenshot+2022-07-21+at+8.37.51+PM.png Podcast - ‘Rock “n” Roll Has Taken A Backseat.’ - Eric Martin (Mr. Big) Seasoned music veteran and Mr. Big’s lead singer Eric Martin talks about finding the courage to talk to girls using music, the story behind chart-toppers like ‘Daddy, Brother, Lover, Little Boy’ and ‘Be With You’, the time when Billy Sheehan presented a personalised bass-guitar to his little son, the lack of ‘rock and roll’ in the music industry today, insider-info from band days—and about being on the phone with the Maharaja of Tripura and his musical experience in India. https://www.adiveera.com/podcast/in-conversation-with-joe-satriani-host-aditya-veera monthly 0.5 2022-06-03 https://images.squarespace-cdn.com/content/v1/6284029e49f1dd700faf8856/1654256456509-8AJ4NSQQSB0CESPWTYJD/JOE+SATRIANI+%284%29.png Podcast - In Conversation with Joe Satriani (Host- Aditya Veera) Joe Satriani speaks about his musical pursuits, the new album (The Elephants of Mars) and all things music. https://www.adiveera.com/podcast/vfku31iaarfy2kudhtiaw8egfjyabh monthly 0.5 2022-07-21 https://images.squarespace-cdn.com/content/v1/6284029e49f1dd700faf8856/1654257423400-OB748UWS2FV828F9DYGO/WhatsApp+Image+2022-06-02+at+10.17.44+PM.jpeg Podcast - ‘If you’re good at what you love, you can make other people love it, too.’ - Eirik Glambek Bøe Eirik Glambek Bøe, best known for being part of the indie-folk duo Kings of Convenience, creates music that inspires relaxation and tranquillity. Listen in as he talks about picking up his first guitar at 15, falling in love with Classical music, and emulating electronic music in his early musical career. He also talks about how the special dynamic between Øye and him inspired the unique, minimalistic musical style of Kings of Convenience---and about later developing the rich and powerful sounds of his latest project Kommode. https://www.adiveera.com/podcast/4ahnj21mis451n263t9g4ol6jb8bkj monthly 0.5 2022-07-23 https://images.squarespace-cdn.com/content/v1/6284029e49f1dd700faf8856/1654257680763-7O3KLS647F7OU53YF3XH/Greg+Howe.png Podcast - Stalwarts Of Music with Aditya Veera ft. Greg Howe In Conversation with @greghoweguitar. Greg has developed a solid reputation as a technical guitar innovator, particularly on his “hammer-on from@nowhere” technique, legato runs, unusual time signatures, and linear tapping approach. His debut album has been ranked 10th best shred albumin the world by @guitarworldmagazine. In 2018 his band had a #grammy nomination alongside @otmaroruiz and @ernesttibbs. His collaborations with @dennischambersofficial, @victorwooten, @billysheehanonbass, @marcominnemann are quite significant. He has also played session music for @michaeljackson, @justintimberlake and many more with appearances at @bbmas, @fallontonight etc. https://www.adiveera.com/podcast/wbc0yt1vpj981lql12b96ixs8tosrj monthly 0.5 2022-07-23 https://images.squarespace-cdn.com/content/v1/6284029e49f1dd700faf8856/1654257127814-TZOMYSQZZMDN8YL3JXIU/WhatsApp+Image+2022-06-02+at+10.19.44+PM.jpeg Podcast - Stalwarts Of Music with Aditya Veera ft. Ray Parker Jr. - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.adiveera.com/podcast/stanley-jordan monthly 0.5 2022-07-23 https://images.squarespace-cdn.com/content/v1/6284029e49f1dd700faf8856/a0dfd2c6-2488-486f-8e68-b6c038001b8a/Stanley+Jordan.png Podcast - Stalwarts Of Music with Aditya Veera ft. Stanley Jordan In Conversation with 4 time #grammy nominated guitar virtuoso @officialstanleyjordan . He is known for his unique guitar tapping technique that involves playing two guitars simultaneously. Mr. Jordan happens to be one of the first artists signed by @bluenoterecords. With some great foundation in #musictheory and composition at @princeton, he featured with @quincyjones, @therealdionnew, @davematthewsband and many more. https://www.adiveera.com/podcast/cindy-blackman-santana-on-communicating-through-drums monthly 0.5 2022-07-23 https://images.squarespace-cdn.com/content/v1/6284029e49f1dd700faf8856/1654162709502-WXOCD8J1WJNKSXVCY4T0/Cindy+Blackman.png Podcast - Cindy Blackman Santana on Communicating Through Drums. American jazz-rock drummer Cindy Blackman Santana is a ‘conscious musician’---never one to live in fear, she shares how being in the moment is the secret to making great music, along with anecdotes from touring experiences with Lenny Kravitz, Mike Stern, John MacLaughlin and Santana, her fondness for India, and the drums being a communicative tool through which she expresses herself. https://www.adiveera.com/podcast/s8rery5kvwsdapv4oyg067qcczdyei monthly 0.5 2022-07-23 https://images.squarespace-cdn.com/content/v1/6284029e49f1dd700faf8856/1654257364416-1U3V22XOXMRKC21S9KYW/WhatsApp+Image+2022-06-02+at+10.17.57+PM.jpeg Podcast - Stalwarts Of Music with Aditya Veera ft. AMiR - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.adiveera.com/podcast/phil-perry-wants-you-to-really-listen monthly 0.5 2022-06-02 https://images.squarespace-cdn.com/content/v1/6284029e49f1dd700faf8856/1654162508841-L790OHHK5H55JC6MK8K4/Phil+Perry+Final+Poster.png Podcast - Phil Perry Wants You to Really Listen Former member of Montclair and renowned R&B singer-songwriter Phil Perry shares his laws of artistry: believe in the music you create, do not lose the ‘human’ element, and most importantly, allow yourself to really listen to the music---not just with your ears, but with your heart. He talks about singing with soul, keeping up with the industry, starting off as a choirboy, learning from the ‘angels’, and his 9/11 experience… And if you plan on sampling his music, he wants you to know that you gotta ‘do it the right way’. https://www.adiveera.com/podcast/2eg3vvovxdtd1ceakp3kbnw2mmvn61 monthly 0.5 2022-07-23 https://images.squarespace-cdn.com/content/v1/6284029e49f1dd700faf8856/1654257525078-WUOP6Q8B8AUZZKHNVFAF/WhatsApp+Image+2022-06-02+at+10.16.37+PM.jpeg Podcast - ‘The Older I Get, The More That I Envy Youth’- Bob James As one of the pioneers of smooth and contemporary jazz, (multiple) Grammy-winning arranger, producer and pianist Bob James has one piece of advice for older musicians—-‘always be open-minded to new music’. He recalls his early days experimenting with different musical styles, co-founding the diverse supergroup Fourplay, and working with legends like Grover Washington, Jr., Hank Crawford, Gabor Szabo, and Esther Phillips to create chart-topping singles—all the while learning to be comfortable ‘being himself’. https://www.adiveera.com/podcast/manu-katche monthly 0.5 2022-07-23 https://images.squarespace-cdn.com/content/v1/6284029e49f1dd700faf8856/b2d69dc7-acd0-44f6-bde0-3f16383ec59e/WhatsApp+Image+2022-06-02+at+10.21.35+PM.jpeg Podcast - ‘It’s not just about being known, it’s about being heard.’ - Manu Katché Contemporary jazz-drummer Manu Katché is living a full life playing for legendary musicians like Joni Mitchell, Dire Straits, Gloria Estefan, Peter Gabriel, Sting, and many more. A legend himself, Manu has worked on several film soundtracks and released a number of successful albums. Tune in as he talks about what makes his playing style unique, navigating comparison and criticism, his take on fate and suffering, and lessons from touring experiences with Bruce Springsteen, Peter Gabriel and other artists—as well as the deeper-than-just-musical relationship he has with them. He also adds a gentle reminder to aspiring drummers: ‘Just be you.’ https://www.adiveera.com/podcast/heres-how-kurt-rosenwinkel-keeps-the-fire-burning monthly 0.5 2022-06-02 https://images.squarespace-cdn.com/content/v1/6284029e49f1dd700faf8856/1654163346676-RW03UZQNU7OXUVQRYZ7I/Instagram+live+%287%29.png Podcast - Here’s How Kurt Rosenwinkel Keeps the Fire Burning One of the best innovators in jazz music, Kurt Rosenwinkel, talks about how he keeps his creative powers at an all-time high - through the exploration of new music, his relationships with musically-oriented people, and a dedication to mastering technique. When it comes to maintaining the purity of music, Kurt has only two things to say to you - always listen to your heart and stay original. https://www.adiveera.com/podcast/robben-ford-likes-to-keep-his-music-simple monthly 0.5 2022-06-02 https://images.squarespace-cdn.com/content/v1/6284029e49f1dd700faf8856/536cf781-29cd-4c51-9fd1-677597a27ebc/Robben+Ford.jpg Podcast - Robben Ford Likes to ‘Keep His Music Simple.’ Though he’s been hailed as one of the greatest players in the world, guitar virtuoso Robben Ford wants to be remembered as just another ‘nice guy’. From playing at empty clubs with his brothers and buddies to touring with big names like Joni Mitchell, Oliver Nelson and Frank Zappa at a very young age---5-time-Grammy-nominated Robben Ford talks about his musical inspirations, the ups and downs of being a prodigy, memories from the 60s, dealing with bad reviews and fear, and keeping his music simple, while sharing a little secret for aspiring musicians: ‘mistakes are a part of the blues.’ https://www.adiveera.com/podcast/doyle-bramhall-2-the-jedi-of-his-craft monthly 0.5 2022-11-30 https://images.squarespace-cdn.com/content/v1/6284029e49f1dd700faf8856/1654162360769-LM2JP7I5AW7U7X5YBUUI/Instagram+live+%283%29.png Podcast - Doyle Bramhall 2: The Jedi of His Craft When American musician, producer, guitarist and songwriter Doyle Bramhall 2 enters into his flow state, nothing can stop him. The guitar legend talks about his personal philosophy---which includes attaining creative bliss through music, channelling BB King, Paul Mc Cartney and Eric Clapton on stage, finding fashion inspiration from the likes of Bob Dylan, Jimi Hendricks and Freddy King, and giving himself to social and humanitarian causes with what he describes as ‘the healing power of music’. https://www.adiveera.com/podcast/chris-mcqueen-amp-bob-lanzetti-are-reaching-out-for-the-future monthly 0.5 2022-06-06 https://images.squarespace-cdn.com/content/v1/6284029e49f1dd700faf8856/2affd9fc-f75d-4d71-9ff2-ad061902b69d/Untitled-Artwork+%281%29+%281%29.jpg Podcast - Chris McQueen & Bob Lanzetti Are Reaching Out for the Future Keeping up with technology and new forms of music, Chris McQueen and Bob Lanzetti of Snarky Puppy talk about their individual careers as guitarists, composers, and music educators, surreal experiences performing with childhood heroes David Crosby, Charlie Hunter and Susana Baca, expectations versus reality as musicians---as well as overcoming monotony in composition, developing trending music apps for iPhone, and creating music that stands the test of time. https://www.adiveera.com/podcast/captain-fingers-lee-ritenour-on-how-music-keeps-him-young monthly 0.5 2022-06-02 https://images.squarespace-cdn.com/content/v1/6284029e49f1dd700faf8856/4a3bff33-fa57-488d-9cbd-f60fdb86c262/Instagram+live+%281%29.png Podcast - Captain Fingers (Lee Ritenour) On How Music ‘Keeps Him Young’ Sharing the stage with legends like George Benson, Steely Dan, Olivia Newton-John, Pink Floyd, and the Bee Gees, contemporary-jazz extraordinaire Lee Ritenour’s secret to ‘staying young’ is more than just a good diet—it’s his passion for music. As an award-winning producer and composer who takes no shortcuts to success, he describes the inside-outs of the music business and why it’s important to have your unique style---also sharing his golden advice for fans: ‘If music is a part of your life, keep it that way for a lifetime.’ https://www.adiveera.com/podcast/theres-nothing-more-therapeutic-than-music-says-erick-walls monthly 0.5 2022-07-21 https://images.squarespace-cdn.com/content/v1/6284029e49f1dd700faf8856/224f1901-1ede-4898-80b9-f91af4314cc2/FU1ssBGXEAM7Rmh.jpeg Podcast - There’s Nothing More Therapeutic Than Music, Says Erick Walls Grammy & Emmy-nominated, platinum selling songwriter and globally-acclaimed guitarist Eric Walls has seen and done it all in the music business – working alongside all kinds of artists, from divas to newcomers, experts to insiders, and more. From his gospel days to playing alongside Michael Jackson---Walls describes his years-long & incredibly successful career after transitioning into the LA music landscape at a young age. https://www.adiveera.com/home daily 1.0 2023-10-24 https://images.squarespace-cdn.com/content/v1/6284029e49f1dd700faf8856/e4e58875-44d7-4056-80fc-fb081f73ca98/Aditya+Podcast+Host+.jpg Home - Stalwarts of Music Podcast is hosted by Aditya Veera, a talk show host and podcaster. https://images.squarespace-cdn.com/content/v1/6284029e49f1dd700faf8856/e1edb11b-9cf4-4811-bf13-341368d5fd63/Perpetualbuzz+white+logo.png Home - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.adiveera.com/contact daily 0.75 2022-06-03 https://www.adiveera.com/about daily 0.75 2022-10-08 https://images.squarespace-cdn.com/content/v1/6284029e49f1dd700faf8856/e4e58875-44d7-4056-80fc-fb081f73ca98/Aditya+Podcast+Host+.jpg About - Make it stand out Whatever it is, the way you tell your story online can make all the difference. https://www.adiveera.com/donate daily 0.75 2022-06-02 https://www.adiveera.com/artists daily 0.75 2022-08-23 https://www.adiveera.com/artists/thayirsadam-blues monthly 0.5 2022-08-23 https://images.squarespace-cdn.com/content/v1/6284029e49f1dd700faf8856/435fe88e-4e1a-4ed1-ae4e-c002c6234ef3/WES_8306+copy-2+%281%29+%282%29.jpg https://www.adiveera.com/artists/rohit-vasudevan-diaries monthly 0.5 2022-08-23 https://images.squarespace-cdn.com/content/v1/6284029e49f1dd700faf8856/626ba90e-222c-4798-9630-ad04f2f16d6c/55686692_2119849301468979_7850693243443347456_n.jpg https://www.adiveera.com/artists/nemophilis monthly 0.5 2022-07-23 https://images.squarespace-cdn.com/content/v1/6284029e49f1dd700faf8856/cb9504b6-3408-4233-b81b-9625eea676c5/Screenshot+2022-07-24+at+2.01.47+AM.png https://www.adiveera.com/artists/shikhar monthly 0.5 2022-07-23 https://images.squarespace-cdn.com/content/v1/6284029e49f1dd700faf8856/7322cf8f-5047-40d9-baeb-16b428264eb8/Image+8+%281%29.JPG https://www.adiveera.com/artists/nissima monthly 0.5 2022-07-23 https://images.squarespace-cdn.com/content/v1/6284029e49f1dd700faf8856/f43d396e-a55f-4b79-8286-3b451f4cfbad/273174568_888197451861556_7632760528330504995_n+%281%29.jpeg https://www.adiveera.com/artists/lal-and-the-people monthly 0.5 2022-07-23 https://images.squarespace-cdn.com/content/v1/6284029e49f1dd700faf8856/c5a8fcef-4797-45f1-b69c-0ef9ab1613bd/53716299_2255392528039697_3871146713574014976_n.jpeg https://www.adiveera.com/artists/amyt-datta monthly 0.5 2022-07-23 https://images.squarespace-cdn.com/content/v1/6284029e49f1dd700faf8856/55f63c33-faf6-44fb-bdfc-0ef45f5f2dfe/Screenshot+2022-06-03+at+11.07.26+PM.png https://www.adiveera.com/artists/arinjoy-trio monthly 0.5 2022-06-04 https://images.squarespace-cdn.com/content/v1/6284029e49f1dd700faf8856/5e7fceef-97ee-4f21-8160-1f2d99028483/Arinjay+Trio.jpg Artists - Arinjoy Trio - Arinjoy Trio In a country as large and diverse as India, there is no dearth of musical diversity or style. However, what we can safely assume is there are only a handful number of Blues bands. Of which, there are even fewer among that lot who make it beyond casual ‘blues jams’. The Arinjoy Trio is definitely not a band of weekend warriors. They are wholeheartedly involved in the music they love. And that music is the Blues. How one might wonder, is that possible in India? To quote Arinjoy “all of us played in a different musical set-up, it was there that I ask the other two if they would be interested in forming a blues band.” This was always something Arinjoy had craved. And thus began their journey with the blues. Spotify → Apple Music → Youtube → https://www.adiveera.com/artists/sunit-zadav monthly 0.5 2022-06-04 https://images.squarespace-cdn.com/content/v1/6284029e49f1dd700faf8856/fe932578-0efc-4445-9644-a5df973b624c/Sunit.jpg Artists - Sunit Zadav - Sunit Zadav Amongst other things, Sunit Zadav is a Pune based Singer-Songwriter whose music can broadly be classified under "Acoustic Indie Pop", the steel-string acoustic guitar being his primary instrument of choice. Proficient in a multitude of styles, Sunit has sung and played the guitar for tunes in almost every genre that popular music derives its roots from. Having written a couple of his own songs over the last decade, he mentions his age as "one album and three heartbreaks old." His debut single 'Mush', written and recorded under the mentorship of guitar maestro Sanjay Divecha made it to Apple Music's Top 100 Indie Tracklist. After releasing his debut 5 track EP Quarter Life Crisis, Sunit took a break from music to concentrate on his academic career. A trained medical doctor, Dr Sunit Zadav MD now teaches Human Anatomy at the Symbiosis Medical College for Women. Currently an Assistant Professor and PhD scholar at the same University, Dr Z is busy researching on the beautiful relationship between music and learning. Join him on his journey of becoming a musical neuroscientist, as he melodically rants about the intricacies of the human heart, the human brain, and everything in between. Spotify → Apple Music → Youtube → https://www.adiveera.com/artists/groovemeister monthly 0.5 2022-06-04 https://images.squarespace-cdn.com/content/v1/6284029e49f1dd700faf8856/1654333682517-MDEYRRYD6ZYSIHJJZE1F/Groovemeister.jpg Artists - Groovemeister - Groovemeister Groovemeister is a Jazz quintet from Bangalore, India. They love to tell stories through the use of modern sounds laced with influences from contemporary jazz, blues, funk and soul. The ultimate purpose of this unit is to groove, to communicate at an abstract level beyond the realms of language, thought and gesture. Through compositions and collective improvisation, they strive to evoke emotions and visions of the stories that we conjure up. Members: Vijayganesh Panchanadhan (Guitars & Vocals) Legsang Sherpa (Guitars & Vocals) Siddharth Suresh (Keyboards) Arjun Ramdas(Bass Guitar) Sreenath (Drums). Spotify → Youtube → https://www.adiveera.com/press daily 0.75 2023-10-23 https://www.adiveera.com/press/thehindu monthly 0.5 2022-06-03 https://images.squarespace-cdn.com/content/v1/6284029e49f1dd700faf8856/283448a8-f73e-4d9f-8b57-39ed7af9de94/Screenshot+2022-06-02+at+10.59.29+PM.png Press - The Hindu - The Hindu ‘They are incredibly humble’: Coimbatore’s Aditya Veera on interviewing award-winning musicians https://www.adiveera.com/press/shillong monthly 0.5 2022-06-03 https://images.squarespace-cdn.com/content/v1/6284029e49f1dd700faf8856/1654258007036-XDEKU4A3TR2C4MKHRCO3/WhatsApp+Image+2022-06-02+at+10.57.15+PM.jpeg Press - The Shillong Times - The Shillong Times Through life’s building blocks, Aditya Veera sculpts a coveted career of momentous opportunities, finds Esha Chaudhuri https://www.adiveera.com/press/midday-india-mumbai monthly 0.5 2022-08-06 https://images.squarespace-cdn.com/content/v1/6284029e49f1dd700faf8856/1654258113772-BSW2R4TBUQSJ83X8DYX8/Screenshot+2022-06-02+at+11.14.55+PM.png Press - Midday India - Midday India (Mumbai) Software developer by day, blues and funk aficionado by night, Aditya Veera is doing his part in bringing the groove back https://www.adiveera.com/press/bangaloremirror/tuning-into-the-world-of-grammy-artistes monthly 0.5 2022-08-06 https://images.squarespace-cdn.com/content/v1/6284029e49f1dd700faf8856/537749bc-b32a-45a7-b8b0-e24f98e91340/WhatsApp+Image+2022-08-06+at+3.01.40+PM.jpeg Press - Bangalore Mirror - Bangalore Mirror “Tuning into the world of Grammy artistes” - Aditya Veera’s podcast connects Bengalureans with Grammy winners and nominees https://www.adiveera.com/press/deccanherald/metrolife/bengaluru-artiste-interviews-renowned-musicians-on-insta monthly 0.5 2022-08-08 https://images.squarespace-cdn.com/content/v1/6284029e49f1dd700faf8856/58e83762-939c-40d2-80d1-385391aa8e24/Screenshot+2022-08-06+at+3.13.34+PM.png Press - Deccan Herald - Bengaluru Edition - Deccan Herald (Bengaluru Edition) “B’luru artiste interviews renowned musicians on insta.” https://www.adiveera.com/press/dtnext/cinema/2022/08/08/for-this-podcaster-jukebox-heroes-are-just-a-phone-call-away monthly 0.5 2022-09-17 https://images.squarespace-cdn.com/content/v1/6284029e49f1dd700faf8856/441e84dd-7568-4b20-af16-b9346f291176/Screenshot_20220808_101643+%281%29.jpg Press - DT NEXT - Chennai Edition - DT NEXT (Chennai Edition) “Up. close & personal: For this podcaster, jukebox heroes are just a phone call way.” https://www.adiveera.com/press/cities/hyderabad/2022/sep/13/hyderabad-music-enthusiast-aditya-veera-bringing-international-stars-closer-home monthly 0.5 2022-10-10 https://images.squarespace-cdn.com/content/v1/6284029e49f1dd700faf8856/cc71429d-bd27-44ef-b478-922620483bcd/WhatsApp+Image+2022-09-16+at+11.46.13+PM.jpeg Press - The New Indian Express (Hyderabad Edition) - New Indian Express (Hyderabad Edition) “Music Enthusiast - Aditya Veera bringing international stars closer home.” https://www.adiveera.com/press/entertainment/aditya-veera-venkatesh-is-interviewing-grammy-winning-artistes-in-his-stalwarts-of-music-podcast monthly 0.5 2022-10-10 https://images.squarespace-cdn.com/content/v1/6284029e49f1dd700faf8856/fd374b14-a9cd-43e0-ad4e-5fcaae7aad95/Screenshot+2022-10-10+at+7.52.55+PM.png Press - Telegraph Online (National Edition) - Telegraph (National Edition - Digital Press) “Aditya Veera Venkatesh is interviewing Grammy-winning artistes in his Stalwarts of Music podcast.” https://www.adiveera.com/press/theshillongtimes2023 monthly 0.5 2023-10-23 https://images.squarespace-cdn.com/content/v1/6284029e49f1dd700faf8856/4f14c33a-d67e-4027-ba27-376842a29d6f/IMG_5407.jpg Press - The Shillong Times (2023 Press Release) - The Shillong Times Stalwarts in its second season (Press release - October 22nd, 2023) https://www.adiveera.com/press/rsj2023-638mf monthly 0.5 2023-10-23 https://images.squarespace-cdn.com/content/v1/6284029e49f1dd700faf8856/602f2183-0add-4546-acab-dd227df9fa9d/Screenshot+2023-10-23+at+7.41.54+PM.png Press - Rock Street Journal (2023 Press Release) - Rock Street Journal (2023 Press Release) Behind the Beat: Aditya Veera's Stalwarts Of Music Podcast (Press Release - September 6th, 2023)